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尼采悲剧观研究

发布时间:2018-08-01 18:39
【摘要】:尼采从反对传统的理性主义悲剧观入手,认为希腊悲剧是在日神阿波罗和酒神狄奥尼索斯的对立冲突中产生,悲剧的本质是以酒神歌队为根源的日神和酒神的结合。但是以苏格拉底为象征的理性精神的勃兴压制了酒神精神,最终导致了希腊悲剧的衰亡,也导致希腊文化的衰落。尼采以此为线索勾勒出古希腊到现代德国的历史发展过程,期待借悲剧摆脱现代文化的危机,重振德国精神。尼采对悲剧快感、悲剧的乐观主义等问题做了全新的解释。尼采的悲剧观不仅是对理性主义悲剧观的反叛,同时也是对它的补充。
[Abstract]:Nietzsche began with the opposition to the traditional rationalist view of tragedy and considered that the Greek tragedy arose from the antagonistic conflict between Apollo and Dionysus, and the essence of the tragedy was the combination of the Dionysus and the Dionysus, the root of which was the Dionysus. But the rise of rational spirit, symbolized by Socrates, suppressed the spirit of Dionysus and eventually led to the decline of Greek tragedy and the decline of Greek culture. Nietzsche took this as a clue to outline the historical development process from ancient Greece to modern Germany, hoping to shake off the crisis of modern culture by tragedy and to revive the German spirit. Nietzsche made a new explanation to the problems of tragedy pleasure, tragedy optimism and so on. Nietzsche's view of tragedy is not only a rebellion against rationalism, but also a complement to it.
【学位授予单位】:黑龙江大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:I01

【引证文献】

相关硕士学位论文 前1条

1 雒建慧;尼采与索福克勒斯[D];陕西师范大学;2011年



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