本雅明寓言理论研究

发布时间：2018-08-12 13:16

【摘要】：德国犹太学者瓦尔特·本雅明(1892-1944)的思想博大精深卓尔不群。他在世时影响虽小,但逝世后却在西方学界引起轰动效应。西方学界在60 年代开始所谓的“本雅明复兴”,中国在上个世纪80 年代末也兴起了自己的“本雅明热潮”。综观国内外关于本雅明寓言思想的研究,总的感觉缺乏系统性,有种浮泛零碎的缺点。本论文试图系统、全面、深入把握本雅明的寓言理论并突显出寓言在其文艺思想中的地位。继而以之解读中国当下的文学实践,提出笔者自己的看法。本选题可参与到国内方兴未艾的寓言化批评实践热潮中,并可通过本雅明这一学术思想重镇,梳理西方寓言理论发展的历程与思想脉络,具有较强的实践意义和理论价值。本文由六部分构成。引言部分在简要介绍本雅明理论的国内外研究现状的基础上,指出本文立足已有研究成果重点研究其寓言理论。一、西方语境中寓言理论内涵流变。通过历史的纵向梳理,分古希腊罗马时期、中世纪及文艺复兴时期、浪漫主义时期三个阶段回顾本雅明之前西方历史语境中寓言理论内涵的流变。三个时期的衍变,形成了传统寓言的两大特性:言意分裂和复义性。二、悲悼剧:本雅明寓言理论形成的学术背景与理论前提。本雅明寓言理论的根基是德国巴罗克悲悼剧;巴罗克悲悼剧在题材、情节、人物、冲突、结构、风格、语言方面的特色,突显出它与寓言这一艺术形式的联系。正是通过对巴罗克悲悼剧的哲学分析和历史考察,本雅明提出了自己的寓言理论。三、本雅明寓言理论。包括本雅明对寓言内涵的理解,对寓言特征的论说,对寓言生成方式的研究。首先,本雅明的“寓言”是一种绝对的、普遍性的表达方式,也是一种观察世界的有机模式,它用反讽和隐喻表现抽象概念,忧郁地表现世界的黑暗,自然的颓败与人性的堕落。其次,相对传统寓言,本雅明寓言具有世俗性、残破性和忧郁性的特征。再次,废墟意象、反讽、隐喻等手法是本雅明寓言的生成方式。四、寓言理论在本雅明文艺思想中的地位。鉴于本雅明的美学体系难以概括,
[Abstract]:Walter Benjamin (1892-1944), a German Jewish scholar, has great and profound ideas. Although he had little influence in his life, he caused a stir in Western academia after his death. Western scholars began the so-called "Benjamin revival" in the 1960s, and China began its own "Benjamin upsurge" in the late 1980s. Looking at the research on Benjamin's fables at home and abroad, the general feeling is lack of systematicness and has the shortcoming of floating and fragmenting. This paper attempts to systematically, comprehensively, deeply grasp Benjamin's fable theory and highlight the status of allegory in his literary and artistic thoughts. Then it interprets the current literary practice in China and puts forward my own views. This topic may participate in the domestic flourishing fable criticism practice upsurge, and can comb the western fable theory development course and the thought vein through the Benjamin this academic thought important place, has the strong practice significance and the theory value. This paper consists of six parts. On the basis of a brief introduction of the present research situation of Benjamin's theory at home and abroad, the introduction points out that this paper focuses on the fable theory based on the existing research results. Firstly, the connotation of fable theory changes in the western context. Through the vertical combing of history, there are three stages in ancient Greece and Rome, the Middle Ages and the Renaissance, and the Romantic period to review the evolution of the fable theory connotation in the western historical context before Benjamin. The evolution of the three periods has formed two characteristics of the traditional allegory: semantic division and complex meaning. Second, mourning dramas: the academic background and theoretical premise of Benjamin's fable theory. Benjamin's fable theory is based on the German Baroque tragedy, whose features in subject matter, plot, character, conflict, structure, style and language highlight its connection with the art form of fable. It is through the philosophical analysis and historical investigation of Baroque's mourning drama that Benjamin puts forward his fable theory. Thirdly, Benjamin's fable theory. Including Benjamin's understanding of the meaning of fables, the characteristics of fables, the study of fable generation. First of all, Benjamin's "fable" is an absolute, universal expression, and an organic model for observing the world. It expresses abstract concepts with irony and metaphor, and gloomily expresses the darkness of the world. The decay of nature and the depravity of human nature. Secondly, compared with traditional fables, Benjamin's fables are secular, broken and melancholy. Thirdly, image of ruins, irony and metaphor are the ways of generating Benjamin's fables. Fourth, the position of fable theory in Benjamin's literary thought. Since Benjamin's aesthetic system is difficult to generalize,
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I057

【共引文献】