论阴阳五行学说与中国传统艺术的关系
发布时间：2018-08-18 19:05
【摘要】：阴阳五行学说是中国传统文化的重要体系之一,是中国古代解释自然界阴阳两种物质对立和相互消长的理论根据及说明世界万物的起源和多样性的哲学概念依据。中国哲学的本体论核心在于这样一个公式:天道(气)生阴阳,阴阳成五行,五行变化成万物,而万物的存在方式和相互关系一直在追求一种“和谐”。这是中国传统的宇宙观,也是中国古代美学思想的根本精神。这个以南方楚地发展起来的阴阳学说和北方殷人的五行思想相融合而成的阴阳五行学说所阐述的阴阳五行对立统一及相生相克的哲学思想对我国传统美学思想和艺术理论的形成,产生过十分重要的影响和巨大的推进作用。 老子说:“道生一、一生二、二生三、三生万物,万物负阴而抱阳,冲气以为和。”这是中国第一个宇宙生成体系。本文认为其中无疑包含了万物是天地阴阳合气而生的思想,气做为世界基本元素在自然界阴阳相互作用下,产生五行;五行相互作用,则产生宇宙万物的无穷变化;并由于阴阳互相对立消长,五行相生相克,万物得以和谐发展。这说明中国人很早就把宇宙看成是一个互相关联的整体,天地与人之间有一种深刻的互动关系。人们在经验的基础上把这种对称和对立的联系渐渐总结概括为“阴阳五行”学说,并借助于这些基本的要素以及其它一些由此而生的次要关系把宇宙组成一个统一的整体,这种整体统一、循环平衡、相生相克、刚柔并济、和谐圆满的思想从此成为中国传统艺术的显著特点。 本文以阴阳五行学说的起源及演变作为研究其与中国传统艺术的关系的起点,从其深厚的哲学意义出发,以“虚实论”、“阴阳观”为主要观照对象,以“气”论、“和谐”思想为切入点,研究其美学层面上对中国传统艺术的指导,试图对中国的传统精华思想做一次梳理。
[Abstract]:The theory of Yin Yang and five elements is one of the important systems of Chinese traditional culture. It is the theoretical basis for explaining the antagonism and the rise and fall of the two substances in nature in ancient China and the philosophical conceptual basis for explaining the origin and diversity of all things in the world. The essence of the ontology of Chinese philosophy lies in such a formula: heaven creates Yin and Yang, Yin and Yang become five elements, five elements change into all things, and the way of existence and mutual relationship of all things always pursue a kind of "harmony". This is the traditional Chinese view of the universe, but also the fundamental spirit of ancient Chinese aesthetics. This theory of Yin and Yang, which developed from the Southern Chu area, and the five elements of Yin and Yang, which were combined with the five elements of the Yin and Yang people of the North, expounded the unity of opposites of the five elements of the yin and yang and their philosophical ideas which are mutually exclusive to the traditional aesthetic thought of our country. The formation of art theory, Has had the very important influence and the huge propulsive function. Laozi said: "Daosheng one, life two, three, three things, all things negative Yin and embrace Yang, Chong Qi think and." This is China's first cosmic generation system. This paper holds that there is no doubt that all things are born from heaven and earth yin and yang, Qi as the basic element of the world under the interaction of yin and yang in nature, the five elements of interaction, the interaction of the five elements, the creation of infinite changes in the universe; And because Yin and Yang opposite each other, the five elements to each other, everything can develop harmoniously. This shows that the Chinese have long regarded the universe as an interconnected whole, and there is a profound interaction between heaven and earth. On the basis of experience, the symmetries and opposites are gradually summed up as the theory of "yin and yang, five elements", and by the aid of these basic elements and some other secondary relations arising therefrom, the universe is formed into a unified whole. This idea of unity, balance, harmony, harmony and perfection has become a remarkable feature of Chinese traditional art. This paper takes the origin and evolution of the theory of yin and yang as the starting point to study its relationship with Chinese traditional art, starting from its profound philosophical significance, taking "the theory of deficiency and reality" and "view of yin and yang" as the main object, and taking the theory of "qi" as the main object. The thought of "harmony" is regarded as the starting point to study its aesthetic guidance to Chinese traditional art and try to sort out the essence of Chinese traditional thought.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J120.9
本文编号：2190392
[Abstract]:The theory of Yin Yang and five elements is one of the important systems of Chinese traditional culture. It is the theoretical basis for explaining the antagonism and the rise and fall of the two substances in nature in ancient China and the philosophical conceptual basis for explaining the origin and diversity of all things in the world. The essence of the ontology of Chinese philosophy lies in such a formula: heaven creates Yin and Yang, Yin and Yang become five elements, five elements change into all things, and the way of existence and mutual relationship of all things always pursue a kind of "harmony". This is the traditional Chinese view of the universe, but also the fundamental spirit of ancient Chinese aesthetics. This theory of Yin and Yang, which developed from the Southern Chu area, and the five elements of Yin and Yang, which were combined with the five elements of the Yin and Yang people of the North, expounded the unity of opposites of the five elements of the yin and yang and their philosophical ideas which are mutually exclusive to the traditional aesthetic thought of our country. The formation of art theory, Has had the very important influence and the huge propulsive function. Laozi said: "Daosheng one, life two, three, three things, all things negative Yin and embrace Yang, Chong Qi think and." This is China's first cosmic generation system. This paper holds that there is no doubt that all things are born from heaven and earth yin and yang, Qi as the basic element of the world under the interaction of yin and yang in nature, the five elements of interaction, the interaction of the five elements, the creation of infinite changes in the universe; And because Yin and Yang opposite each other, the five elements to each other, everything can develop harmoniously. This shows that the Chinese have long regarded the universe as an interconnected whole, and there is a profound interaction between heaven and earth. On the basis of experience, the symmetries and opposites are gradually summed up as the theory of "yin and yang, five elements", and by the aid of these basic elements and some other secondary relations arising therefrom, the universe is formed into a unified whole. This idea of unity, balance, harmony, harmony and perfection has become a remarkable feature of Chinese traditional art. This paper takes the origin and evolution of the theory of yin and yang as the starting point to study its relationship with Chinese traditional art, starting from its profound philosophical significance, taking "the theory of deficiency and reality" and "view of yin and yang" as the main object, and taking the theory of "qi" as the main object. The thought of "harmony" is regarded as the starting point to study its aesthetic guidance to Chinese traditional art and try to sort out the essence of Chinese traditional thought.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J120.9
【引证文献】
相关期刊论文 前1条
1 张扬;;谈中国古典舞形态构成中的阴阳五行观念[J];作家;2010年12期
，本文编号：2190392
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