论中国当代西方主义艺术

发布时间：2018-09-01 07:02

【摘要】：中国当代艺术中的西方主义,是在接受西方艺术的过程中形成的,与西方艺术既有区别又有联系。从总体特征看,它是中国当代艺术对西方艺术观念、艺术形式、艺术价值的认同。这种认同的原因只有一个,那就是自“五四”以来,改革开放之后的中国,发现自己在经济、文化、科学技术等方面落后于西方。这种认同的目的也只有一个,解决中国所面临的问题。从文化的角度对中国现当代艺术进行研究,基于这样一个事实,即自1978 年以来中国当代艺术的主要成就表现在它对过去文化的批判上,而不是对艺术本身的新的规范、新的范式、新的风格样式、新的思维形式的探索上。所以,认同西方艺术价值以解决中国面临的问题,实质上就是中国当代艺术中西方主义的本质特征;当然,中国西方主义也有其自身的发展逻辑,它终将通过合法化无意识化而成为中国自身文化的一部分。
[Abstract]:Western doctrine in Chinese contemporary art is formed in the process of accepting western art, which is different from and related to western art. From the overall characteristics, it is the Chinese contemporary art to the western art concept, art form, artistic value identity. There is only one reason for this, that is, since the May 4th Movement, after the reform and opening up, China has found itself lagging behind the West in economy, culture, science and technology. There is only one purpose of this identity, to solve the problems facing China. The study of Chinese modern and contemporary art from a cultural point of view is based on the fact that the main achievements of Chinese contemporary art since 1978 have been manifested in its criticism of the past culture, rather than in the new norms of art itself. New paradigm, new style, new form of thinking on the exploration. Therefore, to identify the value of Western art in order to solve the problems facing China is essentially the essential feature of Chinese contemporary art in China and Westernism; of course, Chinese Westernism also has its own development logic. It will eventually become part of China's own culture by legalizing unconsciousness.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J120

【相似文献】