形象思维与文学本质特征的探索
发布时间：2018-10-05 06:49
【摘要】：20世纪80年代以来围绕文学本质特征的探索,肇始于形象思维的讨论。形象思维的概念最早来源于别林斯基"诗是寓于形象的思维"这一命题。后人对别林斯基这一黑格尔式的命题进行了误读或改造,形成了艺术活动是形象思维的理论。20世纪50、60年代我国理论界展开的形象思维的讨论,核心是如何认识文学艺术的本质特征。认识论,是形象思维讨论无法超越的一个理论框架。从这一理论框架出发,文学艺术被认为是对于社会生活形象的认识。李泽厚、童庆炳改写了形象思维讨论的认识论维度,肯定形象思维过程中的情感因素。由此,文学艺术的情感本质得到强调。形象思维的讨论直接影响了新时期审美文论对文学本质的认识。
[Abstract]:The exploration of the essential characteristics of literature since 1980's began with the discussion of image thinking. The concept of image thinking originates from Billingsky's proposition that poetry is the thought of image. Later generations misread or transform the Hegel proposition of Billingsky, and formed the theory that artistic activity is the theory of image thinking. In the 1950s and 1960s, the discussion of image thinking was carried out in the theoretical circle of our country. The core is how to understand the essential characteristics of literature and art. Epistemology is a theoretical framework beyond which the discussion of image thinking cannot be transcended. From this theoretical framework, literature and art is considered to be the understanding of the image of social life. Li Zehou, Tong Qingbing rewrites the epistemological dimension of the discussion of image thinking and affirms the emotional factors in the process of image thinking. Therefore, the emotional essence of literature and art is emphasized. The discussion of image thinking directly affects the understanding of literary essence of aesthetic literary theory in the new period.
【作者单位】： 河北师范大学文学院;
【基金】：国家社会科学基金项目“从审美意识形态到日常生活的审美化——20世纪80年代以来关于文学本质特征的论争与评析”(编号:07BZW010)阶段性成果
【分类号】：I04
[Abstract]:The exploration of the essential characteristics of literature since 1980's began with the discussion of image thinking. The concept of image thinking originates from Billingsky's proposition that poetry is the thought of image. Later generations misread or transform the Hegel proposition of Billingsky, and formed the theory that artistic activity is the theory of image thinking. In the 1950s and 1960s, the discussion of image thinking was carried out in the theoretical circle of our country. The core is how to understand the essential characteristics of literature and art. Epistemology is a theoretical framework beyond which the discussion of image thinking cannot be transcended. From this theoretical framework, literature and art is considered to be the understanding of the image of social life. Li Zehou, Tong Qingbing rewrites the epistemological dimension of the discussion of image thinking and affirms the emotional factors in the process of image thinking. Therefore, the emotional essence of literature and art is emphasized. The discussion of image thinking directly affects the understanding of literary essence of aesthetic literary theory in the new period.
【作者单位】： 河北师范大学文学院;
【基金】：国家社会科学基金项目“从审美意识形态到日常生活的审美化——20世纪80年代以来关于文学本质特征的论争与评析”(编号:07BZW010)阶段性成果
【分类号】：I04
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