论小说语言的特征
发布时间：2018-11-01 15:59
【摘要】：小说,这一文学家族中的后生,近代以来取得了长足的发展。如今它 不仅是数量上在文学家族中处于霸主地位,而且它对现实生活的影响也 是其他文学形式望尘莫及的。随着小说的日益壮大发展,小说理论也雨 后春笋般的发展起来,特别是19世纪以来,小说理论可谓汗牛充栋,蔚 为壮观。但理论家们要么只从文体的角度研究小说,要么只从语体的角 度研究小说。而很少同时从语体和文体的角度研究小说语言。本论文就 是为了弥补这种空缺而对小说语言做较为系统的论述。本文首先从中外 几个较典型的小说定义入手,引出笔者分别从文体学和语体学角度给小 说下的定义。接着着重从文体学和语体学两方面论述小说语言的特点, 即综合性、形象生动性、人物语言与形象性格的一致性、小说人物语言 的灵活性、小说人物语言的口语化、无声语言是小说语言中的特殊成 分、小说语言的准确性。最后从现实对小说语言的要求分别论述了小说 语言的通俗化和“陌生化”及二者的统一性。
[Abstract]:Novel, the afterlife of this literary family, has made great progress since modern times. Nowadays, it is not only the dominant position in the literary family, but also its influence on the real life is beyond the reach of other literary forms. With the growing development of fiction, the theory of fiction has sprung up after the rain, especially since the 19th century, the theory of fiction can be described as magnificent. But theorists study novels only from a stylistic point of view or from a stylistic angle. It is rare to study fiction language from both stylistic and stylistic perspectives. The purpose of this thesis is to make a systematic exposition of the novel language in order to make up for this kind of vacancy. This paper begins with several typical definitions of novels at home and abroad, and leads to the definitions of Xiao Shuo from stylistic and stylistic perspectives. Then it discusses the features of novel language from stylistics and stylistics, that is, comprehensiveness, vividness, the consistency between character language and image character. The flexibility of the language of characters, the colloquialization of the language of characters, the silent language are the special components of the language of novels, and the accuracy of the language of novels. Finally, the author discusses the popularization and strangeness of novel language and their unity from the point of view of reality.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I054
本文编号：2304404
[Abstract]:Novel, the afterlife of this literary family, has made great progress since modern times. Nowadays, it is not only the dominant position in the literary family, but also its influence on the real life is beyond the reach of other literary forms. With the growing development of fiction, the theory of fiction has sprung up after the rain, especially since the 19th century, the theory of fiction can be described as magnificent. But theorists study novels only from a stylistic point of view or from a stylistic angle. It is rare to study fiction language from both stylistic and stylistic perspectives. The purpose of this thesis is to make a systematic exposition of the novel language in order to make up for this kind of vacancy. This paper begins with several typical definitions of novels at home and abroad, and leads to the definitions of Xiao Shuo from stylistic and stylistic perspectives. Then it discusses the features of novel language from stylistics and stylistics, that is, comprehensiveness, vividness, the consistency between character language and image character. The flexibility of the language of characters, the colloquialization of the language of characters, the silent language are the special components of the language of novels, and the accuracy of the language of novels. Finally, the author discusses the popularization and strangeness of novel language and their unity from the point of view of reality.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I054
【引证文献】
相关期刊论文 前1条
1 张茂娟;康永杰;;简洁而不乏细腻,活泼中透着苍凉——试论《哈利·波特》系列的语言特色[J];大家;2010年14期
相关硕士学位论文 前3条
1 田田;论小说转换成电影的如何可能[D];四川师范大学;2011年
2 于嘉;相声故事性特征[D];中国艺术研究院;2007年
3 肖静;《画皮》：从小说到电影的转换[D];陕西师范大学;2012年
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