魏晋南北朝的艺术批评
发布时间：2018-11-09 20:10
【摘要】： 中国传统的文学批评、艺术批评有着为西方文艺批评所不能替代的独特价值。虽然在系统性和严密性方面逊于西方文艺批评,但它们所具有的以切身的创作经验为依据的批评态度,从形象到形象的批评方式,无疑更加贴近艺术的本质,在今天依然具有不可忽视的意义。 关于传统艺术批评各门类的各别研究,已经进行得十分深入。但把传统艺术批评作为一个整体,作为一种有别于传统文学批评,有别于西方艺术批评的现象来进行研究,还显得十分不足,至少目前还没有一本《中国艺术批评史》。这就需要我们从宏观的角度来审视传统艺术批评,在分析、整理的基础上寻绎其总体特征,并揭示其在现代语境里的意义。 本文以魏晋南北朝艺术批评为研究对象,并希望以此为起点展开对中国艺术批评史的研究。本文首先从魏晋南北朝艺术批评的实践基础、思想准备和产生契机三个方面分析其产生的原因;其次分别论述了音乐批评、绘画批评和书法批评的发展过程,从“批评”的角度来分析和评价艺术批评文本,指出它们所使用的批评标准、批评概念、批评方式和批评手段;最后,在各门类艺术批评之间以及文学批评与艺术批评之间展开比较,并对魏晋南北朝艺术批评的价值和意义给予总体上的评价。
[Abstract]:Chinese traditional literary criticism and artistic criticism have unique value which cannot be replaced by western literary criticism. Although they are inferior to western literary criticism in terms of systematicness and strictness, their critical attitudes, which are based on their personal creative experience, are undoubtedly closer to the essence of art, from the image to the image. It is still of great significance today. The research on different categories of traditional art criticism has been carried out deeply. However, it is not enough to study the traditional art criticism as a whole, as a phenomenon different from the traditional literary criticism and different from the western art criticism, at least there is no "History of Chinese Art criticism" at present. This requires us to examine the traditional art criticism from a macro perspective, to find out its general characteristics on the basis of analysis and arrangement, and to reveal its significance in the modern context. This paper takes the art criticism of Wei, Jin and Southern and Northern dynasties as the research object, and hopes to start the research on the history of Chinese art criticism. Firstly, this paper analyzes the reasons of the artistic criticism from three aspects: the practical basis, the ideological preparation and the opportunity of the artistic criticism in the Wei, Jin and the Southern and Northern dynasties. Secondly, it discusses the development process of music criticism, painting criticism and calligraphy criticism, analyzes and evaluates the artistic criticism texts from the perspective of "criticism", and points out the criticism standards, concepts, ways and means of criticism used by them. Finally, it compares the artistic criticism of various categories and between literary criticism and artistic criticism, and gives an overall evaluation of the value and significance of artistic criticism in Wei, Jin, Southern and Northern dynasties.
【学位授予单位】：东南大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J120.9
本文编号：2321433
[Abstract]:Chinese traditional literary criticism and artistic criticism have unique value which cannot be replaced by western literary criticism. Although they are inferior to western literary criticism in terms of systematicness and strictness, their critical attitudes, which are based on their personal creative experience, are undoubtedly closer to the essence of art, from the image to the image. It is still of great significance today. The research on different categories of traditional art criticism has been carried out deeply. However, it is not enough to study the traditional art criticism as a whole, as a phenomenon different from the traditional literary criticism and different from the western art criticism, at least there is no "History of Chinese Art criticism" at present. This requires us to examine the traditional art criticism from a macro perspective, to find out its general characteristics on the basis of analysis and arrangement, and to reveal its significance in the modern context. This paper takes the art criticism of Wei, Jin and Southern and Northern dynasties as the research object, and hopes to start the research on the history of Chinese art criticism. Firstly, this paper analyzes the reasons of the artistic criticism from three aspects: the practical basis, the ideological preparation and the opportunity of the artistic criticism in the Wei, Jin and the Southern and Northern dynasties. Secondly, it discusses the development process of music criticism, painting criticism and calligraphy criticism, analyzes and evaluates the artistic criticism texts from the perspective of "criticism", and points out the criticism standards, concepts, ways and means of criticism used by them. Finally, it compares the artistic criticism of various categories and between literary criticism and artistic criticism, and gives an overall evaluation of the value and significance of artistic criticism in Wei, Jin, Southern and Northern dynasties.
【学位授予单位】：东南大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：J120.9
【引证文献】
相关博士学位论文 前2条
1 朱秀敏;建安散文研究[D];山东师范大学;2011年
2 杨涛;东晋“新体”书法成因研究[D];中国艺术研究院;2010年
相关硕士学位论文 前2条
1 刘晓辉;六朝画论批评方式研究[D];河北大学;2011年
2 刘元;论“味”[D];青海师范大学;2012年
，本文编号：2321433
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