中国当代艺术中的时间性表达——以沈克龙、应天齐的综合材料作品为例

发布时间：2018-12-18 06:13

【摘要】：从1993年-2013年的二十年间,是中国当代艺术的转型期,中国当代艺术在表现形式和风格上开始多样化,研究的自由度在不断扩大,用东方的眼光看世界的风尚也在形成。西方的当代艺术中有很多作品都在诠释着时间观念,但在今天的中国,同样有着一批艺术家运用本土的传统元素以中国的视角表达着同一主题,本文以中国传统元素为出发点,以威尼斯双年展为观测平台,以沈克龙、应天齐等当代艺术家为例,探讨时间观念在中国当代艺术中的多种表达方式。
[Abstract]:From 1993 to 2013, it was the transition period of Chinese contemporary art. Chinese contemporary art began to diversify in the form and style of expression, the freedom of study was expanding, and the fashion of looking at the world from the perspective of the East was also forming. There are many works of contemporary art in the West that are interpreting the concept of time, but in today's China, there are also a group of artists who express the same theme from the perspective of China by using the traditional elements of their native land. This paper takes the traditional elements of China as the starting point. Taking Venice Biennale as the observation platform and taking contemporary artists such as Shen Kelong and Ying Tianqi as examples, this paper discusses the various expressions of the concept of time in Chinese contemporary art.
【作者单位】：南京艺术学院美术学院;南京艺术学院设计学院;
【基金】：2012年度江苏省社会科学基金项目青年项目《当代艺术设计的中国元素与东方文化想象研究》(12YSC013)
【分类号】：J05

【共引文献】