论朗西埃的现代艺术观
发布时间：2018-12-20 15:22
【摘要】：雅克·朗西埃从他的"可感性的分配"与"艺术机制"理论出发,重构了现代艺术与传统艺术的关系,认为反再现的现代主义与现实主义有着内在的联系,二者的根源都在于"艺术的美学机制"。正是这一机制导致了可感性的纷争,制造了可感性的重新分配,引发了艺术的变革。他进而质疑了"现代性"以及与之相关的"后现代性"、"前卫艺术"等观念,认为诸如此类的话语掩盖了艺术转变的实质。他提供了一个审视现当代艺术的独特视角,对当代的艺术实践和理论研究有着积极的意义。
[Abstract]:From his theory of "perceptual distribution" and "art mechanism", Jacques Lonsier reconstructs the relationship between modern art and traditional art, and holds that the anti-reappearance of modernism and realism are intrinsically related. The root of both lies in the aesthetic mechanism of art. It is this mechanism that leads to sensibility disputes, creates perceptual redistribution, and brings about artistic change. He then questioned the concepts of "modernity" and related "post-modernity" and "avant-garde art", and thought that such words concealed the essence of artistic transformation. He provides a unique perspective to examine contemporary art and has positive significance for contemporary art practice and theoretical research.
【作者单位】： 东南大学马克思主义学院;
【分类号】：J110.9
本文编号：2388180
[Abstract]:From his theory of "perceptual distribution" and "art mechanism", Jacques Lonsier reconstructs the relationship between modern art and traditional art, and holds that the anti-reappearance of modernism and realism are intrinsically related. The root of both lies in the aesthetic mechanism of art. It is this mechanism that leads to sensibility disputes, creates perceptual redistribution, and brings about artistic change. He then questioned the concepts of "modernity" and related "post-modernity" and "avant-garde art", and thought that such words concealed the essence of artistic transformation. He provides a unique perspective to examine contemporary art and has positive significance for contemporary art practice and theoretical research.
【作者单位】： 东南大学马克思主义学院;
【分类号】：J110.9
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