生命最初的愉悦及其物化——论原始艺术的发生
发布时间：2019-02-18 21:18
【摘要】：研究原始艺术的发生，是我们了解艺术的起源和艺术的本质重要的途径。本文通过对原始艺术的起源理论研究、原始艺术的形态研究、原始艺术心理发生机制的研究，试图对原始艺术的发生作出解释。文章主要包括三个方面的内容：第一，对原始艺术起源的主要理论进行分析。认为：巫术说反映了人类生命最初时艺术与情绪的关系。劳动说揭示了人类生命之初美感的源泉，它与人的生命的进化是共进的。游戏说则反映了生命的自由精神与艺术的自由创造之间的关系。摩仿说反映了人在自我确证的过程中的感性意识与形象意识的发展。这四种学说都反映了这样一个事实：原始艺术作为生命最初的愉悦的物化，是人类的生命价值在艺术中的升华与张扬。因此，关于艺术起源的任何一种学说，都可以作为是对生命的升华与张扬中的一个阶段的解释。第二，对原始艺术形态进行研究。链饰艺术与原始劳动的关系最为密切，它反映出人类最早的爱美意识和朦胧的宗教意识。作为巫术产物的原始绘画，折射出人类最早的精神狂欢和生命本质的张扬。雕塑则更多地反映原始人类的自由创造与游戏心理，，人与自然的关系进一步走向亲和，这为人类的生命注入了更多的艺术情感。原始纹饰是原始人类精神生活和生命意识的一种形象表达。陶器则更注重艺术与科学之间的关系，人类艺术情感在此注入了更多的科学的理性知识。通过以上研究，我们可以看到原始人类生命本质力量的对象化，看到原始艺术是如何反映人类最初的生命愉悦，而人类的生命又是如何借由艺术得到提升的。第三，通过分析原始艺术发生的三个重要因素——实用满足心理、审美认知、个体的自我确证以及它们与生命愉悦的关系，进一步确证了艺术发生时与生命的密切关系以及艺术的起源与本质的同一性。
[Abstract]:Studying the occurrence of primitive art is an important way to understand the origin and essence of art. This paper tries to explain the origin of primitive art by studying the origin theory of primitive art, the form of primitive art, and the psychological mechanism of primitive art. This paper mainly includes three aspects: first, the main theories of the origin of primitive art are analyzed. It is believed that the theory of witchcraft reflects the relationship between art and emotion at the beginning of human life. The theory of labor reveals the source of beauty at the beginning of human life, and it goes hand in hand with the evolution of human life. The game theory reflects the relationship between the free spirit of life and the free creation of art. The theory reflects the development of perceptual consciousness and image consciousness in the process of self-confirmation. These four theories reflect the fact that primitive art, as the initial pleasure of life, is the sublimation and publicity of human life value in art. Therefore, any theory about the origin of art can be used as an explanation of the sublimation of life and the stage of Zhang Yangzhong. Second, the study of the original art form. The art of chain decoration is most closely related to primitive labor, which reflects the earliest sense of love for beauty and obscurity of religious consciousness. As a product of witchcraft, the original painting reflects the earliest spiritual carnival and the publicity of the essence of life. Sculpture, on the other hand, more reflects the free creation and game psychology of primitive human beings, and the relationship between man and nature moves towards affinity, which infuses more artistic feelings into human life. Primitive decoration is a kind of image expression of primitive human spiritual life and life consciousness. Pottery pays more attention to the relationship between art and science, where human artistic emotion infuses more scientific rational knowledge. Through the above research, we can see the objectification of the essential power of primitive human life, how the primitive art reflects the initial pleasure of human life, and how the human life is promoted by art. Third, by analyzing the three important factors in the occurrence of primitive art-practical satisfaction psychology, aesthetic cognition, individual self-corroboration and their relationship with the pleasure of life, The close relationship between art and life and the identity of origin and essence of art are confirmed.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J0
本文编号：2426221
[Abstract]:Studying the occurrence of primitive art is an important way to understand the origin and essence of art. This paper tries to explain the origin of primitive art by studying the origin theory of primitive art, the form of primitive art, and the psychological mechanism of primitive art. This paper mainly includes three aspects: first, the main theories of the origin of primitive art are analyzed. It is believed that the theory of witchcraft reflects the relationship between art and emotion at the beginning of human life. The theory of labor reveals the source of beauty at the beginning of human life, and it goes hand in hand with the evolution of human life. The game theory reflects the relationship between the free spirit of life and the free creation of art. The theory reflects the development of perceptual consciousness and image consciousness in the process of self-confirmation. These four theories reflect the fact that primitive art, as the initial pleasure of life, is the sublimation and publicity of human life value in art. Therefore, any theory about the origin of art can be used as an explanation of the sublimation of life and the stage of Zhang Yangzhong. Second, the study of the original art form. The art of chain decoration is most closely related to primitive labor, which reflects the earliest sense of love for beauty and obscurity of religious consciousness. As a product of witchcraft, the original painting reflects the earliest spiritual carnival and the publicity of the essence of life. Sculpture, on the other hand, more reflects the free creation and game psychology of primitive human beings, and the relationship between man and nature moves towards affinity, which infuses more artistic feelings into human life. Primitive decoration is a kind of image expression of primitive human spiritual life and life consciousness. Pottery pays more attention to the relationship between art and science, where human artistic emotion infuses more scientific rational knowledge. Through the above research, we can see the objectification of the essential power of primitive human life, how the primitive art reflects the initial pleasure of human life, and how the human life is promoted by art. Third, by analyzing the three important factors in the occurrence of primitive art-practical satisfaction psychology, aesthetic cognition, individual self-corroboration and their relationship with the pleasure of life, The close relationship between art and life and the identity of origin and essence of art are confirmed.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J0
【引证文献】
相关硕士学位论文 前2条
1 陈焱;中国史前艺术中的生命母题研究[D];南京艺术学院;2010年
2 杨佩;中国青铜器上的花文化现象研究[D];北京林业大学;2012年
本文编号：2426221
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