图像重构与语汇创新——周虹艺术的图像意味与波普语汇
发布时间：2019-03-19 08:21
【摘要】：正【是的,我重复但是,正如大海重复着浪涛那浪涛依旧,却不是同样的浪涛】——阿多尼斯作为"70后",周虹的艺术很早就拥有了相当独特而成熟的艺术个性与语言方式。在中国当代艺术界,周虹的艺术价值显然与她对波普艺术的图像重构与语汇创新密切相关。一方面,周虹延续了武汉波普艺术的创造路径,另一方面,又以新的视觉经验对其进行了大胆的语汇创新。与世界各国相比,20世纪中国艺术的政治叙事和"历史化"面容过于僵硬,确实需要消费社会的时尚商品和视觉经验来消解和重构。这也正是"后89"中国当代艺术以王广义、余友涵等为代表的"政治波普"兴起的时代语境。紧接着,随着西方后现代主义艺术与美学的传播,魏光庆、李山等进一步推出"文化波普"。
[Abstract]:Just [yes, I repeat, but just as the sea repeats the waves still, but not the same waves]-Adonis, as a post-70s, Zhou Hong's art has long had a rather unique and mature artistic personality and language style. In the field of contemporary Chinese art, Zhou Hong's artistic value is closely related to her image reconstruction and lexical innovation of Popper art. On the one hand, Zhou Hong continued the creative path of Wuhan pop art, on the other hand, he made bold lexical innovation with new visual experience. Compared with other countries in the world, the political narrative and "historicalization" of Chinese art in the 20th century are too rigid, and it really needs the fashion goods and visual experience of the consumer society to dispel and reconstruct. This is also the context of the rise of "political pop" represented by Wang Guangyi and Yu Youhan in the post-89 Chinese contemporary art. Then, with the spread of Western post-modernism art and aesthetics, Wei Guangqing, Li Shan and other further launched "Cultural Popper".
【作者单位】： 四川大学艺术学院;
【基金】：2012年度教育部人文社会科学研究规划基金项目(批准号:12YJA760044) 四川大学中央高校基本科研业务费研究专项项目(skqy201204)阶段性成果
【分类号】：J05
，
本文编号：2443354
[Abstract]:Just [yes, I repeat, but just as the sea repeats the waves still, but not the same waves]-Adonis, as a post-70s, Zhou Hong's art has long had a rather unique and mature artistic personality and language style. In the field of contemporary Chinese art, Zhou Hong's artistic value is closely related to her image reconstruction and lexical innovation of Popper art. On the one hand, Zhou Hong continued the creative path of Wuhan pop art, on the other hand, he made bold lexical innovation with new visual experience. Compared with other countries in the world, the political narrative and "historicalization" of Chinese art in the 20th century are too rigid, and it really needs the fashion goods and visual experience of the consumer society to dispel and reconstruct. This is also the context of the rise of "political pop" represented by Wang Guangyi and Yu Youhan in the post-89 Chinese contemporary art. Then, with the spread of Western post-modernism art and aesthetics, Wei Guangqing, Li Shan and other further launched "Cultural Popper".
【作者单位】： 四川大学艺术学院;
【基金】：2012年度教育部人文社会科学研究规划基金项目(批准号:12YJA760044) 四川大学中央高校基本科研业务费研究专项项目(skqy201204)阶段性成果
【分类号】：J05
，
本文编号：2443354
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