主述位理论观照下的中国古典诗歌英译
发布时间：2019-04-19 17:57
【摘要】：诗歌是一种特殊的文学样式,言简意赅、含义隽永。中国古典诗歌与英语诗歌受语言文化等诸多因素的影响,迥然相异。翻译难,翻译诗歌更难。国内外学者在中国古典诗歌的英译中已付出巨大的努力,取得了较为丰硕的成果。但传统的翻译研究是从哲理和文艺的角度出发,讨论重点是笔调、风格、韵味、精神等译文与原文中的艺术要素。后来,随着语言学派的兴起,语言学的成果被运用到翻译研究中去,从语义、句法、语用等方面分析和讨论翻译中的等值和转换单位等问题,力求做到客观、精确、系统、科学。与传统的翻译研究不同,本文旨在将主述位理论运用于中国古典诗歌翻译研究,探讨诗歌小句与篇章的衔接关系,解读诗歌信息结构模式及翻译转换规律。 翻译是在语篇而非字、词、句的层面上实现的。翻译的最终目的是实现语篇层次的相对对等。贝克认为语篇层次的翻译对等主要是通过衔接和信息组织(尤其是主述位结构)来实现的。而主位模式作为一种信息结构,是作者交际意图的外观,因而理应成为构建译文时不可或缺的重要参照。这就意味着译者在译文中需要重建源文的信息组织结构,以便顺应译语规范,构建出衔接得当,语意连贯的译文,使得译文接受者的反应与原文接受者的反应基本相同,实现翻译对等。 本文首先指出此项研究的研究目的、研究意义和研究方法。接着,对中国古典诗歌翻译的中外研究现状及主述位理论在翻译中的研究现状进行综述,指出此研究领域的不足。在介绍了本项研究的理论框架之后,作者对中国古典诗歌及英诗的主、述位及主位推进模式的特点进行了分析比较,说明两者在语言结构上的差别,为中国古典诗词的英译找到翻译的标准和依据。然后,作者对几首典型中国古典诗歌的英译版本分别从小句和语篇的层次,探讨中国古典诗歌英译的方法及策略。作者认为,主述位理论是可以运用于中国古典诗歌翻译的。诗歌中的主位结构及其推进模式受到各自语言的影响,体现出了各自不同的特点。在中国古典诗歌英译时,为了使目标语读者获得与源语读者同样的效果,应该遵循英诗在主位结构及其推进模式的特点。 研究发现：首先,在主位选择上,原诗中的一些省略主位要得以补充；标记主位尽可能得以保留,一些情况下,虽然原诗中没有使用标记主位,译文为了再现诗歌格律和声韵要使用标记主位；复项主位频繁在英译文中使用,为了实现连贯,方便目标语读者。其次,在主位推进模式选择上,在不影响原诗意思及诗人情感传达的情况下,尽可能保留原诗的主位推进模式；但当译文采用原诗同样的主位推进模式会产生不一样的表达效果时,译文可以重新构建新的主位推进模式。总之,中国古典诗歌的英译只有顺应英语诗歌的主位结构及主位推进模式,才能构建出衔接得当,语意连贯的译文,再现原诗所产生的交际效果。
[Abstract]:Poetry is a kind of special literary style, which is simple and meaningful, and its meaning is permanent. Chinese classical poetry and English poetry are influenced by many factors such as language culture. Translation is difficult, and translation is more difficult. Chinese and foreign scholars have made great efforts in the development of Chinese classical poetry, and have made great achievements. However, the traditional translation study is from the perspective of philosophy and literature and art, and the discussion focuses on the translation of the writing, style, charm and spirit and the artistic elements in the original text. Later, with the rise of the language school, the result of linguistics is applied to the translation study, and the problems such as the equivalence and the conversion unit in translation are analyzed and discussed from the aspects of semantics, syntax and pragmatics. Different from the traditional translation study, this paper aims to apply the theory of the position theory to the study of the translation of Chinese classical poetry, to study the connection between the small sentences and the text, and to interpret the pattern of the poetry information structure and the law of translation. The translation is realized at the level of a text, a non-word, a word and a sentence. The final purpose of the translation is to achieve the relative right of the discourse level. For example, Baker thinks that the translation of the text level is mainly realized through the connection and the information organization (especially the position structure of the master). As a kind of information structure, the main bit pattern is the appearance of the author's communicative intention, and should be an indispensable important parameter in the construction of the translated text. This means that the translator needs to reconstruct the information organization structure of the source text in the translation, so as to conform to the translation language specification, construct a proper and coherent translation, so that the reaction of the recipient of the translation is basically the same as that of the original recipient, and the translation is realized. In this paper, the purpose, significance and research of this study are pointed out in this paper. In this paper, the present situation of Chinese and foreign research on the translation of Chinese classical poetry and the current situation of the research of the theory of the position of the Chinese classical poetry in translation are summarized, and the research field is pointed out. After the introduction of the theoretical framework of this study, the author makes an analysis and comparison of the characteristics of the main, state and main-position promotion modes of Chinese classical poetry and English poetry, and explains the difference between the two in the language structure, and finds the standard of translation for the translation of Chinese classical poetry. Then, the author discusses the method of the translation of Chinese classical poetry from the small sentence and the discourse level, respectively, in the English translation version of several typical Chinese classical poems. The author holds that the theory of the position theory can be used in Chinese classical poetry The main position structure and the promotion pattern in the poem are influenced by their respective languages, which are different from each other. In the translation of Chinese classical poetry, in order to make the target audience get the same effect as the source language readers, the English-Chinese poetry should be followed in the main position structure and its propulsion mode The study found that, first, in the choice of the dominant position, some of the original poems have omitted the main bits to be supplemented; the marked main bits can be retained as much as possible, and in some cases, the original poem does not use the mark main position, so as to reproduce the poetry and the sound of the poem, The main bits of the duplicate are used frequently in the English translation, so as to realize the consistency and convenience The target language reader. Secondly, in the main-position promotion mode selection, the main-position promotion mode of the original poem is retained as much as possible without affecting the original poem meaning and the poet's emotional communication; however, when the translation is the same as the original poem, the main-position promotion mode can be different When the effect is expressed, the translation can re-construct the new master In short, the English translation of Chinese classical poetry only conforms to the main-position structure and the main-position promotion mode of English poetry, so as to construct a proper and coherent translation and reproduce the original poem.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：H315.9;I046
本文编号：2461152
[Abstract]:Poetry is a kind of special literary style, which is simple and meaningful, and its meaning is permanent. Chinese classical poetry and English poetry are influenced by many factors such as language culture. Translation is difficult, and translation is more difficult. Chinese and foreign scholars have made great efforts in the development of Chinese classical poetry, and have made great achievements. However, the traditional translation study is from the perspective of philosophy and literature and art, and the discussion focuses on the translation of the writing, style, charm and spirit and the artistic elements in the original text. Later, with the rise of the language school, the result of linguistics is applied to the translation study, and the problems such as the equivalence and the conversion unit in translation are analyzed and discussed from the aspects of semantics, syntax and pragmatics. Different from the traditional translation study, this paper aims to apply the theory of the position theory to the study of the translation of Chinese classical poetry, to study the connection between the small sentences and the text, and to interpret the pattern of the poetry information structure and the law of translation. The translation is realized at the level of a text, a non-word, a word and a sentence. The final purpose of the translation is to achieve the relative right of the discourse level. For example, Baker thinks that the translation of the text level is mainly realized through the connection and the information organization (especially the position structure of the master). As a kind of information structure, the main bit pattern is the appearance of the author's communicative intention, and should be an indispensable important parameter in the construction of the translated text. This means that the translator needs to reconstruct the information organization structure of the source text in the translation, so as to conform to the translation language specification, construct a proper and coherent translation, so that the reaction of the recipient of the translation is basically the same as that of the original recipient, and the translation is realized. In this paper, the purpose, significance and research of this study are pointed out in this paper. In this paper, the present situation of Chinese and foreign research on the translation of Chinese classical poetry and the current situation of the research of the theory of the position of the Chinese classical poetry in translation are summarized, and the research field is pointed out. After the introduction of the theoretical framework of this study, the author makes an analysis and comparison of the characteristics of the main, state and main-position promotion modes of Chinese classical poetry and English poetry, and explains the difference between the two in the language structure, and finds the standard of translation for the translation of Chinese classical poetry. Then, the author discusses the method of the translation of Chinese classical poetry from the small sentence and the discourse level, respectively, in the English translation version of several typical Chinese classical poems. The author holds that the theory of the position theory can be used in Chinese classical poetry The main position structure and the promotion pattern in the poem are influenced by their respective languages, which are different from each other. In the translation of Chinese classical poetry, in order to make the target audience get the same effect as the source language readers, the English-Chinese poetry should be followed in the main position structure and its propulsion mode The study found that, first, in the choice of the dominant position, some of the original poems have omitted the main bits to be supplemented; the marked main bits can be retained as much as possible, and in some cases, the original poem does not use the mark main position, so as to reproduce the poetry and the sound of the poem, The main bits of the duplicate are used frequently in the English translation, so as to realize the consistency and convenience The target language reader. Secondly, in the main-position promotion mode selection, the main-position promotion mode of the original poem is retained as much as possible without affecting the original poem meaning and the poet's emotional communication; however, when the translation is the same as the original poem, the main-position promotion mode can be different When the effect is expressed, the translation can re-construct the new master In short, the English translation of Chinese classical poetry only conforms to the main-position structure and the main-position promotion mode of English poetry, so as to construct a proper and coherent translation and reproduce the original poem.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：H315.9;I046
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