论新时期文艺创作中的平民意识

发布时间：2019-05-28 05:11

【摘要】： 新时期以来，从平民的角度反映民众的生活、思想和追求的平民意识，成为文艺创作发展的一种趋势。本文论者认为，新时期文艺创作中的平民意识是凸显的，它不同于传统意义上的“平民意识”：传统意义上的“平民意识” 往往表现为一种自上而下、悲天悯人的旁观的介入姿态；而这里所说的“平民意识”则主要表现为一种设身处地、感同身受的进入的介入姿态。它是在对既有范式的颠覆中崛起的，拥有自己独特的特征，主要表现为：一、叙事主体的平民化；二、叙事方式的平民化；三、人文精神的平民化。它的形成，有其深刻而又复杂的背景和原因，，具有特殊的时代意义。在描述现象的基础上，本文运用美国社会学家丹尼尔·贝尔的理论深入分析了其形成的原因，并在讨论它与“大众化”问题的区别与联系中，结合现有的评论对其做出了审慎的评价与再评价。
[Abstract]:Since the new period, it has become a trend of the development of literary and artistic creation to reflect the people's life, thought and pursuit of civilian consciousness from the perspective of civilians. According to this literary theorist, the civilian consciousness in the literary and artistic creation in the new period is prominent. It is different from the "civilian consciousness" in the traditional sense: the "civilian consciousness" in the traditional sense is often manifested as a kind of intervention posture of compassionate and compassionate people from top to bottom; The "civilian consciousness" mentioned here is mainly manifested as a kind of intervention posture of putting oneself in place and empathizing. It rises in the subversion of the existing paradigm and has its own unique characteristics, which are mainly manifested as follows: first, the populization of the narrative subject; second, the populization of the narrative mode; Third, the populization of humanistic spirit. Its formation has its profound and complex background and reasons, and has special significance of the times. On the basis of describing the phenomenon, this paper analyzes the causes of its formation by using the theory of Daniel Bell, an American sociologist. In the discussion of the difference and relationship between it and the problem of "popularization", combined with the existing comments, this paper makes a careful evaluation and reevaluation.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2000
【分类号】：I022

【共引文献】