当前位置:主页 > 文艺论文 > 艺术理论论文 >

效果历史的异托邦——从委拉斯凯兹论福柯的空间性历史解构

发布时间:2019-05-29 08:05
【摘要】:福柯对委拉斯凯兹《宫娥》的空间解读,显示出其空间概念"异托邦"与巴洛克之间的互文对话关系。委拉斯凯兹作品中多重空间的存在亦有助于理解福柯视域下的空间表象机制如何通过表象、可视与可述等相关策略的运用进行排斥与隔离从而建立同一性历史话语的秩序。对于同一性的话语霸权,福柯寻找历史断裂处的缝隙,还原线性历史的空间性,这种反抗既是对封闭空间的有力反击同时又难以避免走向自我封闭的悖论性处境。
[Abstract]:Foucault's spatial interpretation of Glaskez shows the intertextuality between his spatial concept "pagoda" and Baroque. The existence of multiple spaces in Kraskez's works is also helpful to understand how the spatial representation mechanism under Foucault's vision can be excluded and isolated through the use of representation, visual and speakable strategies, so as to establish the order of identity historical discourse. For the discourse hegemony of identity, Foucault looks for gaps in the historical fracture and reduces the spatial nature of linear history. This kind of resistance is not only a powerful counterattack against the closed space, but also can not avoid the contradictory situation of moving towards self-closure.
【作者单位】: 四川大学文学与新闻学院;
【分类号】:I0-02

【参考文献】

相关期刊论文 前1条

1 M.福柯;王U喎,

本文编号:2487776


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yishull/2487776.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户6c60c***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com