中国当代艺术中的“符号化”现象——兼论“符号”的情感与时代
发布时间：2019-06-17 07:55
【摘要】：经济的飞速发展带来了文化的多元化和艺术的市场化,这使得中国当代艺术呈现出一派繁荣的景象。20世纪末的中国当代艺术家们以具有鲜明的中国特征的"符号"进行创作,他们以日常化的视角及中国特有的题材记录了一个时代的人的心理状态。实际上,"符号化"的中国当代艺术在发展的初期曾被颓废的气氛所笼罩,不被认可;而如今它不再是"养在深闺人未识",而是在国际市场上反响热烈,一时间图像符号的价值作为艺术家的个体价值被充分强调了。本文运用了苏珊·朗格的符号美学原理,结合艺术社会学理论,分别从符号所表达的情感以及所反映的时代特征这两个方面来探讨中国当代艺术中的"符号化"现象。
[Abstract]:The rapid development of economy has brought about the diversification of culture and the marketization of art, which makes Chinese contemporary art show a prosperous scene. At the end of the 20th century, Chinese contemporary artists created with "symbols" with distinctive Chinese characteristics, and they recorded the psychological state of people in an era from a daily perspective and Chinese unique themes. In fact, the symbolized Chinese contemporary art was shrouded in the decadent atmosphere at the beginning of its development and was not recognized; but now it is no longer "raised in the boudoir that the outsider does not know her beauty", but reverberates enthusiastically in the international market, and the value of the image symbol as the individual value of the artist has been fully emphasized. Based on Susan Langer's symbolic aesthetics principle and the theory of art sociology, this paper discusses the phenomenon of "symbolization" in Chinese contemporary art from two aspects: the emotion expressed by symbols and the characteristics of the times.
【作者单位】： 南京工程学院艺术与设计学院;
【分类号】：J120
[Abstract]:The rapid development of economy has brought about the diversification of culture and the marketization of art, which makes Chinese contemporary art show a prosperous scene. At the end of the 20th century, Chinese contemporary artists created with "symbols" with distinctive Chinese characteristics, and they recorded the psychological state of people in an era from a daily perspective and Chinese unique themes. In fact, the symbolized Chinese contemporary art was shrouded in the decadent atmosphere at the beginning of its development and was not recognized; but now it is no longer "raised in the boudoir that the outsider does not know her beauty", but reverberates enthusiastically in the international market, and the value of the image symbol as the individual value of the artist has been fully emphasized. Based on Susan Langer's symbolic aesthetics principle and the theory of art sociology, this paper discusses the phenomenon of "symbolization" in Chinese contemporary art from two aspects: the emotion expressed by symbols and the characteristics of the times.
【作者单位】： 南京工程学院艺术与设计学院;
【分类号】：J120
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