1937-1944:大德意志艺术展的记忆

发布时间：2019-06-18 11:08

【摘要】：1933年9月,由德国宣传部长戈培尔主催,帝国艺术家协会成立,成员来自音乐、电影、文学、建筑和视觉艺术的多个领域,都是经过"官方认证"的艺术家。戈培尔宣布:"今后只有协会会员才可以出现在我们的文化生活当中,会员资格只对满足条件的人开放,一切不再需要的和有害的东西都将被排除在外。"尽管如此,由于对待表现主义的问题分歧,纳粹党内一度陷入艺术上的混乱状态。1934年10月,希特勒正式定调:不需要任何实验艺术,所有的现代艺术都必须从帝国内部清理出去。超过五千件作品遭到大清洗,更发起了著名的堕落艺术展。与此同时,象征着"正统艺术"的大德意志艺术展如期举行,回归复古美学的作品层出不穷,主题涵盖了纳粹官方所推崇的方方面面。从如日中天的1937年到战争末期的1944年,一年一度的大德意志艺术展最终留下近千万人次的辉煌参观纪录与巨额经济收益,但也随同帝国的野心一起步入极权主义的坟墓。
[Abstract]:In September 1933, the Imperial artists Association, led by German propaganda Minister Goepere, was founded with members from various fields of music, film, literature, architecture and visual arts, all of which are "officially certified" artists. Goebel announced: "in the future, only associate members can appear in our cultural life, membership will only be open to those who meet the conditions, and everything that is no longer needed and harmful will be excluded." Nevertheless, due to differences in the treatment of expressionism, the Nazis were once in a state of artistic chaos. In October 1934, Hitler formally set the tone that all modern art must be cleaned out of the empire without any experimental art. More than 5,000 works have been purged and the famous depraved art exhibition has been launched. At the same time, the Great German Art Exhibition, which symbolizes "orthodox art," was held as scheduled, and works returned to retro aesthetics emerge in endlessly, with themes covering all aspects respected by the Nazis. From 1937 to 1944 at the end of the war, the annual Great German Art Exhibition finally left a record of nearly 10 million visits and huge economic gains, but also entered the tomb of totalitarianism with the ambitions of the empire.
【作者单位】：南京艺术学院美术学院;
【分类号】：J151.6

【参考文献】