论文学镜意象中的“我”

发布时间：2019-07-03 09:16

【摘要】：镜意象作为文本中灌注作者情感的意象,不计其数,每个都蕴涵了某位“我”的意蕴与精神。它由古至今承载着人类的智慧以及人生哲学,历来为学者阐发和引申。本文在广泛解读中西文本中涉及镜意象实例的基础上,有角度、递进式地展示了文学镜意象中的“我”。从文学镜意象中微观的“我”入手,逐一聚焦整个人类面对的根本问题：自我意识问题、情感困境问题、存在意义问题等。在此过程中,挖掘中西文学镜意象中的“我”的独特性,逐渐建立起感性的基本认识,并以此为基础厘清不同的“我”的相通之处,探讨求解人类根本问题的可能。从发现并运用镜意象开始,人类对自身的存在有了初步认识；在镜意象的逼真复制里,人们进行好奇的探索,滋生出种种情绪：对时空留恋、将往昔追忆。镜意象具有神秘的不可知性,从中人类对于超自然产生了无限向往；反观自身,拉康提出了“镜像理论”,康德、黑格尔、叔本华也深刻地对自我进行反思。进而人类敢于在镜意象里直面自我、正视自我,理性地清醒于自身共通的虚荣：自欺、自恋,并以“自省”的方式全面地认识“我”。作为被学者们深入解读的关于“风月宝鉴”之色空哲学的故事,《红楼梦》中还有大量的镜意象,自我的蕴藉从中可见一斑。“我”之情感亦与镜意象紧密相关：从萨特的存在主义哲学出发,洞察其与爱情、谎言、死亡的关系,进而逼近人类情感的困惑,追问生存困境的解决之道。因此,人类苦苦寻求自身身份,提出了“善”的道德标准,庄子的处世之道不失为现成的理论基础；德性的体现更在乎心灵的涵容,心如镜般圆明、虚静,必将使人类个体“小我”与群体“大我”的存在更诗意自由。总之,文学镜意象中的“我”不仅是感性力量的凝聚,而且是充满理性认识与超然追求的崇高灵魂。
[Abstract]:Mirror image, as the image of the author's emotion in the text, is innumerable, each of which contains the meaning and spirit of a certain "I". From ancient times to the present, it carries human wisdom and philosophy of life, and has always been expounded and extended by scholars. On the basis of extensive interpretation of the examples of mirror images in Chinese and Western texts, this paper shows the "I" in literary mirror images from an angle and step by step. Starting with the microscopic "I" in the image of literary mirror, this paper focuses on the fundamental problems faced by the whole human being one by one: the problem of self-consciousness, the problem of emotional predicament, the problem of existence meaning and so on. In this process, excavating the uniqueness of "I" in the image of Chinese and Western literary mirror, gradually establishing the basic understanding of sensibility, and on this basis, clarify the similarities between different "I", and explore the possibility of solving the fundamental problems of human beings. From the discovery and use of mirror image, human beings have a preliminary understanding of their own existence; in the realistic reproduction of mirror image, people carry on curious exploration and breed all kinds of emotions: nostalgia for time and space will recall the past. Mirror image has mysterious ignorance, from which human beings have infinite yearning for supernature. On the other hand, Lacan put forward the "mirror image theory", Kant, Hegel and Schopenhauer also deeply reflect on themselves. Then human beings dare to face themselves in the mirror image, face themselves squarely, and rationally wake up to their common vanity: self-deception, narcissism, and comprehensive understanding of "I" in the way of introspect. As the story of the philosophy of "Feng Yue Bao Jian", which has been deeply interpreted by scholars, there are still a large number of mirror images in A Dream of Red Mansions, from which the self can be seen. The emotion of "I" is also closely related to the mirror meaning: starting from Sartre's existentialist philosophy, understanding its relationship with love, lies and death, and then approaching the confusion of human emotion and asking about the solution to the dilemma of survival. Therefore, human beings struggle to find their own identity, put forward the moral standard of "good", Zhuangzi's way of dealing with the world is the ready-made theoretical basis; the embodiment of virtue is more concerned about the spiritual tolerance, the heart is as clear as the mirror, the virtual quiet, will make the existence of human individual "ego" and group "big self" more poetic and free. In a word, the "I" in the image of literary mirror is not only the cohesion of perceptual power, but also the lofty soul full of rational understanding and transcendental pursuit.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：I04

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