贤孝唱词音韵研究

发布时间：2018-05-16 20:32

本文选题：贤孝唱词 + 西北方音　；参考：《南京师范大学》2015年硕士论文

【摘要】：本文以西北地区特有的一种讲唱艺术贤孝作为研究对象,通过对选取的61个贤孝曲目的4145个韵段分析研究,归纳出近现代西北地区方音的韵、调特点,揭示西北方音的概貌；并在参考前人研究的基础上,探求西北方音从宋代经明清至现代的发展与演变。通过与《切韵》音系的比较,贤孝唱词的用韵反映出以下结论：1.贤孝唱词是一种民间说唱艺术,口语色彩强,唱词中还有大量的韵文,且用韵比较自由,其韵文的用韵要比《广韵》同用、独用的规定宽泛得多,韵部明显减少。能够较好真实地反映近现代西北地区的语音概况。2.贤孝唱词韵分10部：阴声韵7部,歌戈部、家麻部、鱼模部、皆哈部、支微部、萧豪部、尤侯部,阳声韵3部,江阳部、元覃部、东侵部。阳声韵主要韵母鼻音化,鼻音韵尾[-m]已经消失,并入了[-n]尾,且[-n]尾与[-η]已经相混或消失。[-p]、[-t]、[-k]三个塞音韵尾完全失落,入声韵消失,全都押入了相对应的阴声韵。3.近代西北方音平声已经分为阴阳,全浊上声变为去声,并且平声与去声的音值相近,平声似去,入声派入了三声。但是在现代西北地区,有的地区是阴阳不分的,如河州地区；有的地区阳平和清、次浊上声成为一个调类-阳平上,如凉州地区的武威。总之,贤孝唱词所反映的近代西北方音在对唐五代、宋代、明清时期西北方音的继承的基础上又产生了一些新的特点,其韵、调系统与现代西北方音差别不大。
[Abstract]:Based on the analysis of 4145 rhyme segments of 61 hymn and filial piety tracks in Northwest China, this paper summarizes the rhyme and tone characteristics of the local sound in the northwest of China in modern times, and reveals the general features of the northwest sound. On the basis of previous studies, this paper explores the development and evolution of the western and northern sounds from the Song Dynasty to the Ming and Qing dynasties. The rhyme of Xianxiao lyrics reflects the following conclusion: 1. Xianxiao singing ci is a folk rap art with strong colloquial color. There are a large number of rhymes in singing words, and rhyme is relatively free. Its rhyme is much broader than that of "wide rhyme", and the regulation of single use is much broader, and the rhyme part is obviously reduced. It can reflect the phonetic survey of the northwest area in modern times. 2. Xianxiao rhyme is divided into 10 parts: Yin rhyme 7, goo, home hemp, fish model, Ching-ha, Zhi Wei, Xiao Hao, you Hou, Yang sound 3, Jiang Yang, Yuan Qin, eastward invasion. The main vowel of Yang rhyme is nasal sound, and the nasal rhyme [-m] has disappeared and merged into [-n] tail, and [-n] tail and [- 畏] have been mixed or disappeared. [-p], [-t], [-k] three rhyme tails are completely lost, and the entrant rhyme disappears. In modern times, the sound of the northwest of China has been divided into yin and yang, and the total turbid upper voice has changed into the sound of removing, and the sound of the flat sound is similar to that of the sound of removing the sound, and the sound of the flat sound is similar to that of the sound. However, in modern Northwest China, some areas are not divided between yin and yang, such as Hezhou area; in some areas, Yangping and Qing Dynasty, the voice of secondary turbid upper voice become a kind of tune-Yangping, such as Wuwei in Liangzhou area. In a word, the modern northwest sound reflected by Xianxiao lyrics has produced some new characteristics on the basis of inheriting the northwest sound of Tang and five dynasties, Song Dynasty and Ming and Qing dynasties, and its rhyme and tone system are not different from those of modern northwest sound.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：H172.2

【参考文献】