网络流行体语篇的互文性研究

发布时间：2018-05-30 05:05

本文选题：网络流行体语篇 + 互文性　；参考：《长沙理工大学》2013年硕士论文

【摘要】：基于互联网传播和移动通信媒介的网络言语与符号，通过文字、动画、互文链接、背景等超文本形式的综合利用而得以延展，获得了更大的传播自由度，产生了与人们更直接的互动效果。这使得在推进网络符号传播多元化的同时，也衍生了一个新兴概念——网络流行体语篇。本文以当代中文网络中众多典型的网络流行体语篇为研究对象，基于西方文论中的互文性理论，集中研究网络流行体语篇的互文性机制形成因素、互文性实践运作以及互文性特征。文章认为，网络流行体语篇是互文性理论在当今网络环境中的具体实践，主要表现在，网络媒介、网络语言符号以及网络主体构成了网络流行体互文性的基本形成要素；文体内引用行为、文体间改写行为以及文本概念的狂欢节构成了流行体语篇的互文性实践运作，并体现其关于文本、主体以及社会历史三方面互文性特征。文章提出，，当代网络流行体语篇的互文性在三个层面上运作，它们分别是文本内层面、文本间层面和文本生产层面。文体内层面的互文性主要表现为文本的引用行为，包括替换、剽窃、典故和引语。文体间层面的互文性表现为文本的改写行为，包括话语变调、模仿、扭曲、反讽、拼贴、参照、加倍和排比。文本生产层面的互文性表现为文本概念的狂欢节，文本概念是文本内容和主体的统一，包括复调、种类混杂和对话。在网络流行体语篇中，不同的文本相互指涉，文本主体也在网络提供的实验场所任意地穿插行走，这其中看得见的表象是流行体语篇中在形式上或者结构上的类似；看不见的规律是它们文本内和文本外相互指涉、彼此牵连、潜力无限、狂欢节化的互文空间。文章认为，互文性作为一种研究方法为人们提供了一个多元的认知视角，它契合了网络流行体语篇研究发展的方向，即对主体中心的颠覆及、对外部世界实践的重视，以及对参与其中的各个主体和文本背景的关注。文章主张，网络流行体语篇具有广泛的互文性，运用互文性理论对网络流行体语篇中的语料进行分析，能够进一步认识网络流行体语篇中的语言特征，为网络流行体语篇的深入研究打开新的视窗。
[Abstract]:The network speech and symbol based on Internet communication and mobile communication media can be extended through the comprehensive use of hypertext forms such as text, animation, intertextuality, background and so on, thus gaining greater freedom of communication. Has produced more direct interaction with people. This makes the spread of network symbols to promote diversity, but also derived a new concept-popular text network. Based on the theory of intertextuality in western literary theory, this paper focuses on the formation factors of intertextuality mechanism of popular online discourse. Practical operation of intertextuality and characteristics of intertextuality. This paper holds that the theory of intertextuality is a concrete practice of the theory of intertextuality in the present network environment, which is mainly manifested in the basic elements of the formation of intertextuality of network pop body, which are composed of network media, network language symbols and network subjects. The intertextuality practice of popular discourse is composed of citation behavior, rewriting behavior and the concept of text, which embodies the intertextuality characteristics of text, subject and social history. This paper proposes that the intertextuality of contemporary popular text works on three levels, namely, the intra-text level, the inter-text level and the text-producing level. Intertextuality in the body of the text is mainly manifested in the citation of the text, including substitution, plagiarism, allusions and quotations. The intertextuality at the stylistic level is the rewriting of the text, including the change of tone, imitation, distortion, irony, collage, reference, doubling and parallelism. The intertextuality in the production level of text is the carnival of the concept of text. The concept of text is the unity of the content and the subject of the text, including polyphony, assortment and dialogue. In the network popular text, different texts refer to each other, and the text subject interacts freely in the experimental sites provided by the network, in which the visible representation is the similar in form or structure in the popular text. The invisible law is the intertextual space of intertextuality in and out of the text, implicating each other, with unlimited potential and Carnival. The paper holds that intertextuality, as a research method, provides people with a multi-cognitive perspective, which is in line with the direction of the development of online popular discourse research, that is, the subversion of the subject center and the emphasis on the practice of the outside world. As well as to participate in each subject and the text background concern. This paper argues that popular online discourse has a wide range of intertextuality, and the use of intertextuality theory to analyze the corpus in popular online discourse can further understand the linguistic characteristics of popular online discourse. It opens a new window for the in-depth study of popular text on the Internet.
【学位授予单位】：长沙理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H15

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