从关联理论视角看相声中“包袱”的幽默效果
发布时间：2021-09-05 19:22
幽默是人类特有的重要特征,西方国家对幽默的研究由来已久。相声是中国传统的艺术形式之一,是中华民族的文化瑰宝。它以讽刺笑料褒贬社会现象,以诙谐幽默为艺术特点,“包袱”是其制笑的主要载体,在给广大观众带来愉悦之余也给人们留有思考。但由于语言障碍和缺乏文化背景,国外对中国的相声鲜有了解。关联理论是由Sperber和Wilson在1986年出版的题为《关联性：交际与认知》的专著中提出,自问世以来就受到许多学者的关注并被广泛运用到各个领域的研究中,其中也包括对幽默的研究,但却鲜有对中国特有的幽默艺术——相声的研究,至于对相声制笑的载体——“包袱”的研究则更是少之又少。鉴于此,本文在关联理论的框架下通过例证法对选取的近二十年来优秀的相声文本中“包袱”的设计手法及构建过程进行梳理,并且检视相声幽默的构建原理和理解机制。通过研究发现,最大关联和最佳关联之间的反差会产生幽默效果,以此解释了“支”、“刨”这两种设计手法能制笑的原因。语境效果与处理努力成反比,意味着话语的语境效果越小,听众所花费的处理努力需越大,这也解释了“抖包袱”之所以制笑的原因,听众花费的处理努力越多,作为回报,获得的幽默体验也越强。作...
【文章来源】：合肥工业大学安徽省 211工程院校 教育部直属院校
【文章页数】：71 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
1.1 Objective and Significance
1.2 Methodology
1.3 Structure of the Thesis
CHAPTER TWO LITERATURE REVIEW
2.1 Research on Chinese Cross Talk
2.1.1 The history of Chinese cross talk
2.1.2 The classification and characteristics of Chinese cross talk
2.1.3 Previous studies on Chinese cross talk
2.2 Previous Researches on Humor
2.2.1 Study on humor in foreign countries
2.2.1.1 Three traditional theories of humor
2.2.1.2 Semantic theories of humor
2.2.1.3 Pragmatic theories of humor
2.2.2 Study on humor in China
CHAPTER THREE THEORETICAL FRAMEWORK
3.1 Introduction
3.2 Definition of Relevance
3.3 Specific Content of Relevance Theory
3.3.1 Ostensive-inferential mode
3.3.2 Two principles—cognitive principle and communicative principle
3.3.3 Maximal relevance and optimal relevance
3.3.4 Contextual effect and processing effort
CHAPTER FOUR RELEVANCE-THEORETIC ANALYSIS OF HUMOR OF"PACKAGE" IN CROSS TALK
4.1 "Package" in Chinese Cross Talk
4.1.1 Definition of "package"
4.1.2 Types of "package"
4.1.3 Processes of constructing a "package" and design techniques
4.2 Analysis of Humorous Effect Produced by "Package" Based on Relevance Theory
4.2.1 Ostensive-inferential mode and "fasten up" package
4.2.2 Maximal relevance and optimal relevance on explaining design techniques of "package"--"distract" and "dig"
4.2.3 Contextual effect and processing effort on explaining the process of "unfold" package
CHAPTER FIVE STRATEGIES FOR ACHIEVING HUMOROUS EFFECTFROM "PACKAGE"
5.1 Language Strategy
5.1.1 Novel logical form
5.1.2 Create ambiguity
5.1.2.1 Employment of homograph
5.1.2.2 Employment of homophony
5.2 Assumption Analysis Strategy
5.2.1 Inference
5.2.2 Enrichment
5.3 Implicature Strategy
5.3.1 Irony
5.3.2 Metaphor
5.3.3 Hyperbole
CHAPTER SIX CONCLUSION
6.1 Major Findings
6.2 Limitations of the Study and Suggestion for Further Exploration
WORKS CITED
APPENDIX
【参考文献】：
期刊论文
[1]中国相声的包袱艺术新论[J]. 陈建华. 海南师范大学学报(社会科学版). 2013(03)
[2]合作原则在相声包袱中的生成体现[J]. 梅勇. 湖北第二师范学院学报. 2011(07)
[3]从关联理论看幽默的效果——以《家有儿女》对话为例[J]. 邱细平. 外国语文. 2011(02)
[4]相声“包袱”说要[J]. 王锋. 戏剧之家. 2010(02)
[5]浅析会话含义理论中质准则的违反与相声艺术[J]. 朱凤梅. 消费导刊. 2009(23)
[6]从关联理论初探中国相声中的幽默[J]. 张娟. 语文学刊. 2009(16)
[7]积极修辞在相声中的应用[J]. 杨一. 内蒙古农业大学学报(社会科学版). 2009(01)
[8]相声语言特色浅析[J]. 师艳芳. 大众文艺(理论). 2008(05)
[9]框架迁移理论对相声“包袱”的阐释[J]. 向小蕊,韦汉. 天津工程师范学院学报. 2006(03)
[10]言语幽默生成机制的认知探究——SCF、CI与CB三维互补视角[J]. 刘国辉. 四川外语学院学报. 2006(02)
硕士论文
[1]从关联理论看中国相声幽默的话语分析[D]. 郑堂艳.中国石油大学 2007
[2]关联理论和概念合成理论对言语幽默解读认知机制的阐释[D]. 曾洵.湖南大学 2006
本文编号：3385937
【文章来源】：合肥工业大学安徽省 211工程院校 教育部直属院校
【文章页数】：71 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
1.1 Objective and Significance
1.2 Methodology
1.3 Structure of the Thesis
CHAPTER TWO LITERATURE REVIEW
2.1 Research on Chinese Cross Talk
2.1.1 The history of Chinese cross talk
2.1.2 The classification and characteristics of Chinese cross talk
2.1.3 Previous studies on Chinese cross talk
2.2 Previous Researches on Humor
2.2.1 Study on humor in foreign countries
2.2.1.1 Three traditional theories of humor
2.2.1.2 Semantic theories of humor
2.2.1.3 Pragmatic theories of humor
2.2.2 Study on humor in China
CHAPTER THREE THEORETICAL FRAMEWORK
3.1 Introduction
3.2 Definition of Relevance
3.3 Specific Content of Relevance Theory
3.3.1 Ostensive-inferential mode
3.3.2 Two principles—cognitive principle and communicative principle
3.3.3 Maximal relevance and optimal relevance
3.3.4 Contextual effect and processing effort
CHAPTER FOUR RELEVANCE-THEORETIC ANALYSIS OF HUMOR OF"PACKAGE" IN CROSS TALK
4.1 "Package" in Chinese Cross Talk
4.1.1 Definition of "package"
4.1.2 Types of "package"
4.1.3 Processes of constructing a "package" and design techniques
4.2 Analysis of Humorous Effect Produced by "Package" Based on Relevance Theory
4.2.1 Ostensive-inferential mode and "fasten up" package
4.2.2 Maximal relevance and optimal relevance on explaining design techniques of "package"--"distract" and "dig"
4.2.3 Contextual effect and processing effort on explaining the process of "unfold" package
CHAPTER FIVE STRATEGIES FOR ACHIEVING HUMOROUS EFFECTFROM "PACKAGE"
5.1 Language Strategy
5.1.1 Novel logical form
5.1.2 Create ambiguity
5.1.2.1 Employment of homograph
5.1.2.2 Employment of homophony
5.2 Assumption Analysis Strategy
5.2.1 Inference
5.2.2 Enrichment
5.3 Implicature Strategy
5.3.1 Irony
5.3.2 Metaphor
5.3.3 Hyperbole
CHAPTER SIX CONCLUSION
6.1 Major Findings
6.2 Limitations of the Study and Suggestion for Further Exploration
WORKS CITED
APPENDIX
【参考文献】：
期刊论文
[1]中国相声的包袱艺术新论[J]. 陈建华. 海南师范大学学报(社会科学版). 2013(03)
[2]合作原则在相声包袱中的生成体现[J]. 梅勇. 湖北第二师范学院学报. 2011(07)
[3]从关联理论看幽默的效果——以《家有儿女》对话为例[J]. 邱细平. 外国语文. 2011(02)
[4]相声“包袱”说要[J]. 王锋. 戏剧之家. 2010(02)
[5]浅析会话含义理论中质准则的违反与相声艺术[J]. 朱凤梅. 消费导刊. 2009(23)
[6]从关联理论初探中国相声中的幽默[J]. 张娟. 语文学刊. 2009(16)
[7]积极修辞在相声中的应用[J]. 杨一. 内蒙古农业大学学报(社会科学版). 2009(01)
[8]相声语言特色浅析[J]. 师艳芳. 大众文艺(理论). 2008(05)
[9]框架迁移理论对相声“包袱”的阐释[J]. 向小蕊,韦汉. 天津工程师范学院学报. 2006(03)
[10]言语幽默生成机制的认知探究——SCF、CI与CB三维互补视角[J]. 刘国辉. 四川外语学院学报. 2006(02)
硕士论文
[1]从关联理论看中国相声幽默的话语分析[D]. 郑堂艳.中国石油大学 2007
[2]关联理论和概念合成理论对言语幽默解读认知机制的阐释[D]. 曾洵.湖南大学 2006
本文编号：3385937
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