隐喻认知理论和中国经典诗词意境的跨域产生

发布时间：2021-10-23 06:25

　　传统的隐喻理论一直将隐喻视为一种修辞手法,而忽视了其重要的认知功能。莱柯夫的概念隐喻认为隐喻不仅是一种语言修辞手法,更是一种思维方法,是我们对外界抽象范畴进行概念化的强大认知工具,是从一个具体的概念域到一个抽象的概念域的系统映射。本文将概念隐喻的几种跨域模式运用到对中国经典诗歌的分析研究中,尤其是对唐诗宋词的分析,以期从全新的角度对诗歌进行阐述,进而达到对诗歌意境的理解。本文强调了三种跨域模式：第一,复合图示映射：一个经验域的复合图式映射到另一个经验域的对应图式中.此映射适用于分析单个意象和由一个意象构成一个意境的诗歌。此映射也凸现了杨柳、月亮、菊花等几种典型意象在诗歌中的作用。第二,意象图示映射：把空间结构映射到概念结构而对感性经验进行的压缩性的再描写。此映射适用于由多个意象组成的诗歌,而这些意象又是按照一定的规律组合起来的。本文用中心——边缘图示,容器图示,前——后图示,整体——部分图示等意象图示分析了一些中国经典诗词,从整体的角度达到对诗词意境的理解。第三,语用功能映射,它是概念结构内部的相互映射,借代性映射由于其内部结构的映射可以归为此映射。语用功能映射涉及到几个不同心理空间的... 

【文章来源】：武汉理工大学湖北省 211工程院校 教育部直属院校

【文章页数】：57 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Contents
Chapter One Introduction
    1.1 Background of the Study
    1.2 Purposes of the Study
    1.3 Structure of the Thesis
Chapter Two Cognitive Theory of Metaphor and Chinese Poetry
    2.1 Cognitive Theory of Metaphor
        2.1.1 Domain
        2.1.2 Cross-domain Mapping
    2.2 Classification of Conceptual Metaphor
        2.2.1 Orientational Metaphor
        2.2.2 Ontological Metaphor
        2.2.3 Structural Metaphor
    2.3 The Function of Conceptual Metaphor Theory and the Chinese Poetry
    2.4 Conceptual Metaphors in Literature
Chapter Three Compound Schema Mappings and Images
    3.1 Compound Schema Mappings
    3.2 Characteristics of Images in Chinese Poetry
        3.2.1 Suggestiveness
        3.2.2 Specificity
        3.2.3 Polysemy
    3.3 Typical Images in Chinese Poetry
        3.3.1 Willows and Wine
        3.3.2 Moon and Swan Goose
        3.3.3 Chrysanthemum and Bamboo
    3.4 Compound Schema Mappings and Chinese Poetry
        3.4.1 Farewell
        3.4.2 Homesickness
        3.4.3 Hermit
Chapter Four Image Schema Mapping and Artistic conception
    4.1 Image Schema Mapping
        4.1.1 Source-Path-Goal
        4.1.2 Container Schema
        4.1.3 Center Periphery Schema
        4.1.4 The Link Schema
    4.2 The Manifestation of Artistic Conception in Chinese Poetry
        4.2.1 The Emotions Stirred up by the Scenes
        4.2.2 The scenes triggered by the emotions
        4.2.3 The Emotions Departing from the Scenes
        4.2.4 The poem without emotions or scenes
    4.3 Image Schema Mappings and Chinese Poetry
        4.3.1 whole-part schema
        4.3.2 Center-periphery Schema
        4.3.3 Front-Back Schema
        4.3.4 Container Schema
Chapter Five Pragmatic Function Mappings and Chinese Poetry
    5.1 Pragmatic Function Mappings
    5.2 Conceptual Integration Theory
        5.2.1 Mental Spaces
        5.2.2 Conceptual Integration Networks
        5.2.3 Conceptual Blending
        5.2.4 Analysis of Chinese Poetry by blended theory
    5.3 Pragmatic Function Mappings and Classical Chinese Poetry
        5.3.1 typical movement referring to whole event
        5.3.2 Classical Allusion Referring to Current Event
Chapter six Conclusion
Acknowledgements
Bibliography


【参考文献】：
期刊论文
[1]唐诗中的梧桐意象与爱情[J]. 刘红梅,高萍.  西安文理学院学报(社会科学版). 2005(03)
[2]意象创造与欣赏的规律性把握——评《诗词意象的魅力》[J]. 方守金.  安徽教育学院学报. 2004(01)
[3]诗性隐喻[J]. 胡壮麟.  山东外语教学. 2003(01)
[4]隐喻与文体[J]. 胡壮麟.  外语研究. 2000(02)
[5]国外隐喻研究综述[J]. 林书武.  外语教学与研究. 1997(01)

硕士论文
[1]论诗歌隐喻的特点、分类及功能[D]. 曹丽英.湘潭大学 2005
[2]论中国古典诗歌中的隐喻翻译[D]. 安允涛.首都师范大学 2003



本文编号：3452648