《六艺纲目》及其“六书”理论管窥
发布时间：2019-06-14 02:24
【摘要】：舒天民生长于宋末元初,少年时宋朝败亡,遂一生以隐儒自居,求学而不入仕。终其一生致力于编著《六艺纲目》一书,但此书刚成不久便驾鹤西去,令人惋惜。世人对《六艺纲目》一书鲜有提及,并以其为蒙童启蒙之书。而舒天民在《六艺纲目》中的“六书”一节中,将“转注”视为造字之法,然而世人多将“转注”作为用字之法,并将《六艺纲目·六书》视作文字学著作。故笔者撰写此文,以求革新世人之观点,弘扬《六艺纲目》之影响。本文共分为五大部分。第一章,简要介绍作者舒天民,以及其子舒恭、同郡人赵宜中等人；第二章,介绍《六艺纲目》的写作目的以及其成书背景；第三章,探讨《六艺纲目》的版本问题；第四章,简要介绍《六艺纲目》中“六书”之外的其他“五艺”,包括“五礼”、“六乐”、“五射”、“五御”以及“九数”；第五章,为本文的重点,主要讨论《六艺纲目》的“六书”一节,笔者通过逐一分析《六艺纲目·六书》中的文字学观点来源：源于许氏《说文》的观点、源于其他文字学者的观点、舒君所创易于童蒙接受的观点。以此来证明《六艺纲目·六书》并非文字学著作而实为蒙学教材。在世人多持否定态度的“转注”一条,笔者通过分析舒天民的著述力证“转注”为造字法。最后以小结的形式,总结舒天民“六书”一节。
[Abstract]:Shu Tianmin grew up in the late Song Dynasty and early Yuan Dynasty. When he was a teenager, the Song Dynasty was defeated and died. Throughout his life, he devoted himself to compiling the Compendium of six Arts, but it was a pity that the book had not been completed. There is little mention of the Compendium of six Arts in the world, and it is regarded as the enlightenment book of Mongolian children. In the section of "six Books" in the Compendium of six Arts, Shu Tianmin regards "transfer note" as the method of character making, but the world mostly regards "transfer note" as the method of using characters, and regards "six books of six arts compendium" as a work of philology. Therefore, the author writes this article in order to innovate the point of view of the world and carry forward the influence of the Compendium of six Arts. This paper is divided into five parts. The first chapter briefly introduces the author Shu Tianmin, his son Shu Gong, Zhao Yizhong, a native of the same county, Zhao Yizhong and others; the second chapter introduces the writing purpose of the six Arts Compendium and its background; the third chapter discusses the version of the six Arts Compendium; the fourth chapter briefly introduces the "five arts" other than the "six Books" in the six Arts Compendium, including "five propriety", "six Music", "five shots", "five Royal" and "Nine numbers". The fifth chapter, for the focus of this paper, mainly discusses the section of "six Books" in the Compendium of six Arts. By analyzing the sources of philology in the sixth Book of the Compendium of six Arts one by one, the author originates from the viewpoint of Xu's "Shuwen", originates from the point of view of other writers, and Shu Jun creates a point of view that is easy for Tong Meng to accept. In order to prove that the sixth Book of the six Arts Compendium is not a philology work, but actually a Mongolian textbook. In the negative attitude of the world, the author through the analysis of Shu Tianmin's writing power to prove that the "transfer note" is the word-making method. Finally, in the form of a summary, this paper summarizes the section of Shu Tianmin's six Books.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H122
[Abstract]:Shu Tianmin grew up in the late Song Dynasty and early Yuan Dynasty. When he was a teenager, the Song Dynasty was defeated and died. Throughout his life, he devoted himself to compiling the Compendium of six Arts, but it was a pity that the book had not been completed. There is little mention of the Compendium of six Arts in the world, and it is regarded as the enlightenment book of Mongolian children. In the section of "six Books" in the Compendium of six Arts, Shu Tianmin regards "transfer note" as the method of character making, but the world mostly regards "transfer note" as the method of using characters, and regards "six books of six arts compendium" as a work of philology. Therefore, the author writes this article in order to innovate the point of view of the world and carry forward the influence of the Compendium of six Arts. This paper is divided into five parts. The first chapter briefly introduces the author Shu Tianmin, his son Shu Gong, Zhao Yizhong, a native of the same county, Zhao Yizhong and others; the second chapter introduces the writing purpose of the six Arts Compendium and its background; the third chapter discusses the version of the six Arts Compendium; the fourth chapter briefly introduces the "five arts" other than the "six Books" in the six Arts Compendium, including "five propriety", "six Music", "five shots", "five Royal" and "Nine numbers". The fifth chapter, for the focus of this paper, mainly discusses the section of "six Books" in the Compendium of six Arts. By analyzing the sources of philology in the sixth Book of the Compendium of six Arts one by one, the author originates from the viewpoint of Xu's "Shuwen", originates from the point of view of other writers, and Shu Jun creates a point of view that is easy for Tong Meng to accept. In order to prove that the sixth Book of the six Arts Compendium is not a philology work, but actually a Mongolian textbook. In the negative attitude of the world, the author through the analysis of Shu Tianmin's writing power to prove that the "transfer note" is the word-making method. Finally, in the form of a summary, this paper summarizes the section of Shu Tianmin's six Books.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H122
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1 冯磊;《六艺纲目》及其“六书”理论管窥[D];内蒙古师范大学;2016年
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