诗学与意识形态：中国翻译理论中的神似论再思

发布时间：2024-03-07 19:09

　　“神似”说起于中国古典美学的形神范畴,于近代进入翻译理论,在翻译史上产生了广泛影响,有学者将其视作主流的中国传统翻译理论之一。然而,如果对20世纪初以来“形似派”、“神似派”的论争和著述做一番耙梳整理,不难发现神似一说可能存在着比较严重的缺陷:其一是“神似”的含义模糊不清,其二是神似派对形神关系的看法有待讨论,其三是神似说的部分立论方法尚可商榷。有鉴于此,其何以超越形似、成为译论主流、造成巨大影响,也就成了需要反思的问题。本文采用勒弗维尔(Lefevere)的理论框架,从诗学与意识形态两个角度对神似论加以文化视角的分析。在诗学的视角看,神似说受到了古代文艺理论中形神关系的影响。形与神是古典美学史上的重要范畴,形神分殊、重神轻形的审美原则深受推尊,中国古代文学艺术中,素有不重实体和形式、标举风神与玄思的审美风尚。翻译理论中对神似的推崇,很可能来自文艺理论的移植。从意识形态的视角看,作为翻译话语的“神似”是意识形态性的,表现为理论表述的战争隐喻、建设理论话语的呼唤都呈现出意识形态特征,形似与神似两派代表人物的理论与实践,在不同历史语境下都具有鲜明的意识形态色彩,而神似的一派更强烈地表现出对...

【文章页数】：85 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Acknowledgements
1.Introduction
    1.1 Research Background
    1.2 Research Question
    1.3 Research Methodology
    1.4 Structure of the Thesis
2.Literature Review and Theoretical Framework
    2.1 Literature Review
        2.1.1 Prior Discussions on Shensi as a Theory of Translation
        2.1.2 Shensi and Poetics
        2.1.3 Shensi and Ideology
    2.2 Theoretical Framework
3.Shensi: The Concept in Question
    3.1 The Ambiguity of Shensi
    3.2 Reflections on the Relationship between Shensi and Xingsi
    3.3 Rethinking Quantification as a Method of Establishing the Legitimacy of Shensi
    3.4 Summary
4.Shensi and Poetics
    4.1 Xing and Shen in the History of Art and Literature
    4.2 Shen as Poetic Pursuit
    4.3 Shen and Shensi:from Poetics to Theory of Translation
    4.4 Reflections on Shensi as a Poetics of Translation
    4.5 Summary
5.Shensi and Ideology
    5.1 War and Weapon as Metaphors
    5.2 Identity,Ideology and Interpellation
    5.3 Response from Lu Xun and Xu Yuanchong
        5.3.1 Lu Xun: The Ethics of Fidelity and Difference
        5.3.2 Xu Yuanchong:Shensi, Rivalry and National Pride
    5.4 Reflections on the Ideological Side of Shensi
    5.5 Summary
6. Conclusion
    6.1 Major Findings
    6.2 Limitations of This Research
    6.3 Suggestions for Future Studies
References



本文编号：3921606