从圣像到虚拟现实:图像媒介学视角下虚拟现实技术智力美学

发布时间：2018-06-06 01:24

本文选题：虚拟现实 + 图像场景　；参考：《福建论坛(人文社会科学版)》2017年06期

【摘要】：人们用"观看"确立自己在世界之中的地位,图像则是观看结果的呈现。德布雷将图像发展史分为圣像的、艺术的和视像的三个阶段,而虚拟现实作为一种新的观看世界的方式将图像演进到一个新的阶段——图像场景阶段。图像场景不同于以往各阶段中图像与现实之间的临场、表征和模拟的关系,通过具身的技术、主体意识的化身参与和超真实的临场感等技术美学特质,将图像变为"会思考的图像",并在生活现实之外创造了一个异质的现实。这种新的图像不能用传统哲学或审美规范来解释,而是需要整合技术、意识和艺术三个原本离散的领域,以"技术智力美学"的新观念来审视它。本文从图像媒介演进史的角度确立虚拟现实的独特地位,并从技术、媒介和诗学三个维度来分析其技术智力美学特征。
[Abstract]:People use "watching" to establish their place in the world, while images are the presentation of viewing results. Debray divides the history of image development into three stages: holy image, art and video, while virtual reality, as a new way to view the world, evolves the image into a new stage-the image scene stage. The image scene is different from the relation between image and reality in previous stages. Through the technology of body, the incarnation of subject consciousness and the super-real appearance, the image scene has the characteristics of technology aesthetics, such as the appearance, the representation and the simulation of the image and reality, and so on. Transform images into "thinkable images" and create a heterogeneous reality outside the reality of life. This new image can not be explained by traditional philosophy or aesthetic norms, but needs to integrate technology, consciousness and art in three original discrete fields, and examine it with the new concept of "technical intelligence aesthetics". This paper establishes the unique status of virtual reality from the perspective of the evolution history of image media, and analyzes its aesthetic characteristics of technical intelligence from three dimensions: technology, media and poetics.
【作者单位】：福建师范大学传播学院;
【分类号】：G206.2

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