地域文化视域下的山影传媒电视剧创作及其示范性意义

发布时间：2018-08-03 11:44

【摘要】：近年来,伴随着《琅琊榜》《欢乐颂》《北平无战事》等一系列电视剧的热播,其幕后的制作出品方——山东影视传媒集团逐步进入了公众的视野。而随着观众对于山影传媒集团认知的不断深入,人们发现从八十年代万人空巷的《武松》《高山下的花环》到九十年代热播的《孔子》《白眉大侠》《甘十九妹》,再到21世纪初受到观众高度认可的《大染坊》《闯关东》,这些被观众所熟知并认可的电视剧作品竟然都出自山东影视传媒集团(原山东电影电视剧制作中心)。因此,山影传媒及其出品的电视剧作品成为了最近几年学界和业界讨论研究的焦点,山东影视传媒集团更获得了“山影出品、必属精品”的赞誉。与此同时,山影传媒集团作为山东精品文化坐标,其出品的电视剧多立足于山东本土文化,体现山东地域性特征及人文风貌,展现山东两千多年来的传统文化精髓,弘扬山东地域文化精神。在其出品的电视剧中始终坚持弘扬社会主义主流价值观、坚持为时代放歌、为人民立传的基本理念,生产出了一大批集思想性、艺术性于一体,为观众所喜闻乐见的影视作品。本文将从地域文化的视角对山影传媒所出品的极具代表性的电视剧进行研究。梳理山影传媒电视剧特色,以及三十多年来从起步初期踏实创作到九十年代不断壮大发展,再到新世纪以来成熟繁荣的发展历程。深入探析山影传媒代表性电视剧作品类型以及其经典化追求。通过文本分析的方式,研究山影电视剧中所展现出的地域文化特色,以及在地域文化中所透露出的地域文化精神和时代精神。同时,通过符号学的视角,研究山影传媒电视剧当中的地域文化符号,并且解读这些地域文化符号所渗透的精神内涵。最后,将针对当前山影传媒的电视剧创作和发展现状,从作品品质、产业发展、人才培养、市场开拓、品牌建设以及体制机制等多维角度,分析山影传媒电视剧经典化追求并指出山影传媒集团在未来发展的过程当中亟待改进的问题,希望对未来山影传媒集团以及国内电视剧产业的发展有所启发和帮助。
[Abstract]:In recent years, with the popularity of a series of TV dramas, such as "the Langya list >" "happy song" and "no war in Beiping," and other series of TV dramas, the production party behind the curtain has gradually entered the public view of the Shandong film and television group. And with the continuous deepening of the audience's cognition of the mountain shadow media group, people are coming from "Wu Song > < mountain" in the allane of 80s. The wreaths of the 90s, "Confucius > < Bai Mei big man > < Gan nineteen sister > >" big dye workshop > "Guandong >" in the early twenty-first Century, the TV dramas which are well known and recognized by the audience are from the Shandong film and television media group (original Shandong film TV theater production Center). Therefore, Shanying media and its production At the same time, the TV series of Shandong film media group, which is a fine cultural coordinate of Shandong, is based on the local culture of Shandong and embodies the regional characteristics of Shandong and the regional characteristics of Shandong. The humanistic style shows the essence of the traditional culture of Shandong for more than two thousand years and carries forward the spirit of regional culture in Shandong. In its TV dramas, it has always persisted in carrying forward the mainstream values of socialism, insisting on the era of song and the basic idea of the people's biography, producing a large number of ideas and art in one, for the audience to see and enjoy. From the perspective of regional culture, this article will study the representative TV series produced by mountain shadow media. This paper combs the characteristics of the TV series of mountain shadow media, as well as the growing and developing course from the early start of the beginning to the 90s, and then to the mature and prosperous development course since the new century in the thirty years. The type of representative TV drama works and its classic pursuit. Through the way of text analysis, it studies the regional cultural features displayed in the shadow TV drama, as well as the regional culture spirit and spirit of the times revealed in the regional culture. At the same time, the regional culture in the TV series of shadow media is studied through the perspective of semiotics. In the end, we will analyze the classic pursuit of the TV dramas of mountain shadow media and point out the legend of mountain shadow TV dramas in the multi-dimensional angles of the quality of works, the development of the industry, the cultivation of talents, the development of the market, the construction of the brand and the system mechanism. In the course of future development, the media group needs to be improved in the process of future development, and hope to enlighten and help the development of the future mountain shadow media group and the domestic TV play industry.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G229.2

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