基于狂欢理论视阈的网络自制综艺节目的文化研究

发布时间：2018-10-14 19:21

【摘要】：随着新媒体和互联网技术的发展,网络自制综艺节目出现了前所未有的发展生机,成为一个不可阻挡的历史趋势,成功的吸引了人们的眼球,持续受到广大观众的追捧喜爱,尤其是网络自制综艺节目呈现“井喷”式的发展,为观众提供了一个自由平等、释放压力的多元化舞台,在某种程度上让我们处于这样一个节目“狂欢”的时代。网络自制综艺节目为什么有如此大的发展势头,甚至可以和电视综艺节目相抗衡?它突破了哪些藩篱,具有哪些吸引眼球的特质?这些特质所反映出的狂欢实践是什么?节目又蕴含怎样的文化本质呢?本文以网络自制综艺节目为研究对象,主要是以《偶滴歌神啊》、《撕人定制》、《暴走法条君》等节目为例,以巴赫金的狂欢理论作为理论依据,运用文献研究法和文本分析法,揭示网络自制综艺节目狂欢特质与文化内涵。本论文的主体内容分为三个部分:首先,文章对脱胎于网络体系的自制综艺节目的特质进行详细的概述,总结概括出节目独特的狂欢因素,为后文具体分析网络自制综艺节目的狂欢实践打下了基础。其次,文章结合具体的案例分析网络自制综艺节目的狂欢实践,一一分析在特定的时空中有哪些主体在狂欢?怎样建构节目狂欢特色?最后,文章通过以上章节的研究分析,总结出网络自制综艺节目的狂欢文化内涵。
[Abstract]:With the development of new media and Internet technology, the network homemade variety show has appeared unprecedented development vitality, has become an irresistible historical trend, successfully attracted the attention of people, and continues to be popular with the majority of the audience. In particular, the development of "blowout" in the network home-made variety show provides the audience with a diversified stage of freedom and equality, releasing pressure, which to some extent puts us in the era of such a "carnival" program. Why is the network self-made variety show so big development momentum, can even compete with TV variety show? What barriers did it break through and what eye-catching qualities did it have? What do these traits reflect in carnival practice? What kind of cultural essence does the program contain? This article takes the network self-made variety arts program as the research object, mainly takes the programs such as "the God of God", "tearing people's customization", "the Rangers of the Fat" as an example, taking Bakhtin's carnival theory as the theoretical basis, using the literature research method and the text analysis method. Reveal the carnival characteristics and cultural connotation of the network self-made variety show. The main content of this thesis is divided into three parts: first, the article summarizes the characteristics of self-made variety show born out of the network system in detail, and summarizes the unique carnival factors of the program. It lays a foundation for the detailed analysis of the carnival practice of self-made variety show. Secondly, the article combined with specific cases to analyze the carnival practice of the network self-made variety show, one by one analysis in the specific time and space in which the main carnival? How to construct the carnival characteristics of the program? Finally, through the research and analysis of the above chapters, the article summarizes the carnival cultural connotation of the network-made variety show.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G222

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