纪实类电视节目的戏剧性构造研究
发布时间：2018-12-06 07:55
【摘要】：纪实类电视节目,是目前我国电视节目中内容涉及面广、创作方式多元和文化意味显著的重要存在样式。纪实类电视节目,既是以记录方式写实的典范,又是戏剧化书写的客观存在。早期纪录片的纪实观念及电视节目栏目化的进程,促使纪录片中的纪实策略与电视节目有了更进一步的交融,它们为满足大众日趋演进的观看需求,又经历电视节目精品化的价值探寻,纪实节目采取适当的戏剧性构造策略成为节目发展的必然导向。21世纪以来我国各类电视节目竞争激烈,如开阔的内容撷取和真性情的叙事表达、古今传奇对垒今朝轶事、还有与时俱进的视听造型与固化的舞美设计之间的碰撞等,其间戏剧性的创作理念促使我国电视节目在世界舞台大放异彩。而大量研究者对纪实节目的关注,却大多还仅仅投注在纪实性的固步自封里,一时忽视了戏剧性与纪实性的理论矛盾和解,这既为我们提供了一个独特的研究视角,又提供了颇具意义的研究对象。本文论题“纪实类电视节目的戏剧性构造研究”包含:概念界定、戏剧性叙事、戏剧性情境、戏剧性造型和戏剧性审美五个方面,结合具体的节目案例对其进行了综合性的整体研究。首先,探讨了纪实类电视节目的概念与分类,并对“戏剧性”的内涵及表现方式给予交代,从而笼统表达出当下纪实类电视节目已存在把戏剧性的表达方式作为行业主流的趋势,表明戏剧性已然成为提升纪实类节目收视及口碑的重要驱使。然究其根本,纪实性仍是纪实类节目的生命之本,两者并不存在相悖性。其次,分析构成纪实类节目的戏剧性元素,包括戏剧化叙事、情境、造型、审美四个方面,并分别针对包含的戏剧性元素进行解读。如在戏剧化叙事的方面:从叙事结构和类型归类各大纪实节目中的叙事走向,进一步从纪实类节目故事化的倾向中探寻情节、动作、冲突、悬念传达出的内在戏剧性构建意旨。在戏剧化情境的方面:从纪实性情境的创设与表达和戏剧性的情景再现,寻找写实与表意的戏剧化情境的蕴味。在戏剧化造型的方面:通过对画面造型、声音运用及影像造型三者的视听语言研究,从外在视角探析纪实类电视节目的戏剧性张力。在戏剧性审美方面,先分析纪实类节目应该体现的审美意蕴,再分析戏剧性可以为纪实性增加趣味即寓教于乐或寓思于乐,从而讨论二者的协调与统一的关系,即戏剧性只是为纪实性增添审美内涵的手段,其内在本质都该指向纪实性的文化表征。
[Abstract]:Documentary TV program is an important existing style of TV programs in our country, which involves a wide range of content, diverse creative ways and significant cultural significance. Documentary TV programs are not only a model of realistic writing in the way of recording, but also an objective existence of dramatic writing. The documentary concept of early documentaries and the process of TV program column make the documentary strategy of documentary film and TV program have a further blend, in order to meet the public's increasingly evolving viewing needs, After the exploration of the value of the quality TV programs, it has become the inevitable direction of the development of the programs that documentary programs adopt appropriate dramatic construction strategies. Since the 21st century, all kinds of TV programs in our country have been in fierce competition. Such as open content capture and true temperament of narrative expression, ancient and modern legend against the current anecdote, and with the audio-visual styling with the collision with the solidified dance design, and so on. During the dramatic creative ideas, China's television programs in the world stage brilliance. However, a large number of researchers have paid attention to documentary programs, but most of them have just invested in the reality and ignored the theoretical contradiction between drama and reality for a while. This has provided us with a unique research perspective. It also provides a meaningful research object. The research on the dramatic structure of documentary TV programs includes five aspects: concept definition, dramatic narration, dramatic situation, dramatic modeling and dramatic aesthetic appreciation. Combined with the specific program cases, it carries on the comprehensive overall research. First of all, it discusses the concept and classification of documentary TV programs, and explains the connotation and expression of "drama". Thus the general expression of the current documentary TV programs has a trend of taking dramatic expression as the mainstream of the industry, which indicates that drama has become an important driving force to improve documentary TV viewing and word-of-mouth. However, the reality is still the basis of the life of documentary programs, and there is no contradiction between the two. Secondly, this paper analyzes the dramatic elements of documentary programs, including dramatic narrative, situation, modeling, aesthetic four aspects, and respectively in view of the dramatic elements included in the interpretation. For example, in the aspect of dramatic narration, the author classifies the narrative trend of the major documentary programs from the narrative structure and types, and further explores the plot, action, conflict and suspense of the inner dramatic construction intention conveyed by the narrative structure and type of documentary programs. In the aspect of dramatic situation: from the creation and expression of documentary situation and dramatic scene reappearance, to find the connotation of realistic and ideographic dramatic situation. In the aspect of dramatic modeling: through the audio-visual language research of screen modeling, sound application and image modeling, this paper analyzes the dramatic tension of documentary TV programs from the external perspective. In the aspect of dramatic aesthetics, we first analyze the aesthetic implication that documentary programs should embody, and then analyze that drama can add interest to the documentary, that is, to teach or to think about music, so as to discuss the relationship between the coordination and unity of the two. That is, drama is only a means to add aesthetic connotation to the documentary, and its intrinsic essence should point to the cultural representation of the documentary.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G222
本文编号：2365702
[Abstract]:Documentary TV program is an important existing style of TV programs in our country, which involves a wide range of content, diverse creative ways and significant cultural significance. Documentary TV programs are not only a model of realistic writing in the way of recording, but also an objective existence of dramatic writing. The documentary concept of early documentaries and the process of TV program column make the documentary strategy of documentary film and TV program have a further blend, in order to meet the public's increasingly evolving viewing needs, After the exploration of the value of the quality TV programs, it has become the inevitable direction of the development of the programs that documentary programs adopt appropriate dramatic construction strategies. Since the 21st century, all kinds of TV programs in our country have been in fierce competition. Such as open content capture and true temperament of narrative expression, ancient and modern legend against the current anecdote, and with the audio-visual styling with the collision with the solidified dance design, and so on. During the dramatic creative ideas, China's television programs in the world stage brilliance. However, a large number of researchers have paid attention to documentary programs, but most of them have just invested in the reality and ignored the theoretical contradiction between drama and reality for a while. This has provided us with a unique research perspective. It also provides a meaningful research object. The research on the dramatic structure of documentary TV programs includes five aspects: concept definition, dramatic narration, dramatic situation, dramatic modeling and dramatic aesthetic appreciation. Combined with the specific program cases, it carries on the comprehensive overall research. First of all, it discusses the concept and classification of documentary TV programs, and explains the connotation and expression of "drama". Thus the general expression of the current documentary TV programs has a trend of taking dramatic expression as the mainstream of the industry, which indicates that drama has become an important driving force to improve documentary TV viewing and word-of-mouth. However, the reality is still the basis of the life of documentary programs, and there is no contradiction between the two. Secondly, this paper analyzes the dramatic elements of documentary programs, including dramatic narrative, situation, modeling, aesthetic four aspects, and respectively in view of the dramatic elements included in the interpretation. For example, in the aspect of dramatic narration, the author classifies the narrative trend of the major documentary programs from the narrative structure and types, and further explores the plot, action, conflict and suspense of the inner dramatic construction intention conveyed by the narrative structure and type of documentary programs. In the aspect of dramatic situation: from the creation and expression of documentary situation and dramatic scene reappearance, to find the connotation of realistic and ideographic dramatic situation. In the aspect of dramatic modeling: through the audio-visual language research of screen modeling, sound application and image modeling, this paper analyzes the dramatic tension of documentary TV programs from the external perspective. In the aspect of dramatic aesthetics, we first analyze the aesthetic implication that documentary programs should embody, and then analyze that drama can add interest to the documentary, that is, to teach or to think about music, so as to discuss the relationship between the coordination and unity of the two. That is, drama is only a means to add aesthetic connotation to the documentary, and its intrinsic essence should point to the cultural representation of the documentary.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G222
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