贝娄《赫索格》的后现代主义解读
发布时间：2018-11-13 14:47
【摘要】：索尔·贝娄(1915-2005)是20世纪美国犹太裔小说家,是海明威和福克纳之后的重要的现代作家。其作品的背景大多数是在美国中部工业重镇芝加哥,探索自然、文明以及人生活的意义。《赫索格》展现主人公摩西·赫索格在五天的旅行中迷茫的状态、庞杂的思绪、精神流浪与受难精神。后现代主义理论是一个相当宽泛的概念,它源自西方艺术领域的变革。在文学上,它是对现代主义的继承和发展,反对现代主义的宏大叙事。本文作者从后现代主义的戏仿、异化、互文性三方面特点着手,解读了《赫索格》中主人公摩西·赫索格的戏仿性,赫索格的异化及其自我升华,以及贝娄通过拼贴和引用的手法来丰富文本。通过分析得出：《赫索格》中的戏仿、异化和互文性的后现代主义特征只是作者真实刻画当时社会以及人物形象的手段和方法,他的最终目的是想通过主人公摩西·赫索格的思想和命运的转变来揭示：通往有意义的存在只有一条道路可以选择,那就是在这个荒诞异化的现代社会,重新审视自己与社会,并肩负起对自己、对他人的责任。贝娄的《赫索格》呈现了美国战后人们生活状态,扭曲的价值观和动荡的社会状况;小说的结尾摩西·赫索格最终抛弃了自我异化,回归到大自然,以一颗平静的心态来面对这个世界,完成了自我的超脱。因此,本文结论部分指出,从后现代主义视角解读《赫索格》同样具有重要意义。
[Abstract]:Saul Bellow (1915-2005) is an American Jewish novelist in the 20th century and an important modern writer after Hemingway and Faulkner. Most of his works are set in Chicago, an industrial city in the middle of the United States, exploring nature, civilization and the meaning of human life. "Herzog" shows the protagonist Moses Herzog's confused state of mind during a five-day journey. Spiritual wandering and suffering spirit. Post-modernism theory is a very broad concept, which originates from the changes in the field of western art. In literature, it is the inheritance and development of modernism, against the grand narrative of modernism. The author begins with the parody, alienation and intertextuality of postmodernism, and interprets the parody of the protagonist Moses Herzog in Herzog, the alienation of Herzog and his self-sublimation. Bellow enriches the text by collage and quotation. Through the analysis, it is concluded that the parody, alienation and intertextuality of postmodernism in Herzog are only the means and methods for the author to truly depict the society and the image of the characters at that time. His ultimate aim is to reveal through the transformation of the thought and destiny of the protagonist Moses Herzog: there is only one way to meaningful existence, that is, in this absurd and alienated modern society, we should re-examine ourselves and society. And shoulder the responsibility to yourself and to others. Bellow's Herzog presents people's living conditions, distorted values and turbulent social conditions in the United States after the war. At the end of the novel, Moses Herzog finally abandoned self-alienation, returned to nature, faced the world with a calm mind, and completed the transcendence of self. Therefore, the conclusion of this paper points out that it is also important to interpret Herzog from the perspective of postmodernism.
【学位授予单位】：华北电力大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I712.074
本文编号：2329481
[Abstract]:Saul Bellow (1915-2005) is an American Jewish novelist in the 20th century and an important modern writer after Hemingway and Faulkner. Most of his works are set in Chicago, an industrial city in the middle of the United States, exploring nature, civilization and the meaning of human life. "Herzog" shows the protagonist Moses Herzog's confused state of mind during a five-day journey. Spiritual wandering and suffering spirit. Post-modernism theory is a very broad concept, which originates from the changes in the field of western art. In literature, it is the inheritance and development of modernism, against the grand narrative of modernism. The author begins with the parody, alienation and intertextuality of postmodernism, and interprets the parody of the protagonist Moses Herzog in Herzog, the alienation of Herzog and his self-sublimation. Bellow enriches the text by collage and quotation. Through the analysis, it is concluded that the parody, alienation and intertextuality of postmodernism in Herzog are only the means and methods for the author to truly depict the society and the image of the characters at that time. His ultimate aim is to reveal through the transformation of the thought and destiny of the protagonist Moses Herzog: there is only one way to meaningful existence, that is, in this absurd and alienated modern society, we should re-examine ourselves and society. And shoulder the responsibility to yourself and to others. Bellow's Herzog presents people's living conditions, distorted values and turbulent social conditions in the United States after the war. At the end of the novel, Moses Herzog finally abandoned self-alienation, returned to nature, faced the world with a calm mind, and completed the transcendence of self. Therefore, the conclusion of this paper points out that it is also important to interpret Herzog from the perspective of postmodernism.
【学位授予单位】：华北电力大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I712.074
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