浅析庄子美学与中国书画艺术的关系

发布时间：2018-01-03 06:37

本文关键词：浅析庄子美学与中国书画艺术的关系　出处：《福建论坛(人文社会科学版)》2017年04期 　论文类型：期刊论文

【摘要】：中华民族的艺术创作和审美法则一贯具有真、善、美的人格化倾向,强调对一切艺术表象的认识作用、审美作用和教育作用。最能体现真、善、美人格化倾向的学派,主要表现为两大类:一类是以儒家为代表的所侧重的"仁""善""德"等理念的精神再现,形成了以"善"为主的学术流派;另一类则是以道家为代表的所侧重的"气""真""美"等理念的自然呈现,形成了以"真"为主的学术流派;在中国书画艺术的表现中,道家学术流派的影响是更大的,这其中代表性人物庄子的哲学理念同中国书画艺术的创作表现密切相关,形成了一种独特的美学思想。
[Abstract]:Chinese artistic creation and aesthetic principles have always had the tendency of humanization of truth, goodness and beauty, emphasizing the cognitive, aesthetic and educational functions of all artistic appearances, which can best reflect the truth and the good. The school of aesthetic personalization is mainly manifested in two categories: one is the spiritual reproduction of the ideas of "benevolence", "goodness", "virtue" and so on, which are represented by Confucianism, and form an academic school dominated by "goodness"; The other is the natural presentation of the ideas of "Qi", "truth" and "beauty", which is represented by Taoism, and forms an academic school dominated by "truth". In the performance of Chinese painting and calligraphy art, the influence of Taoist academic school is greater, in which the representative figure Zhuangzi's philosophy concept is closely related to the creation performance of Chinese calligraphy and painting art. Formed a unique aesthetic thought.
【作者单位】：北京大学艺术学院;
【分类号】：B223.5;J212
【正文快照】： 中华民族的艺术创作和审美法则一贯具有真、善、美的人格化倾向,强调对一切艺术表象的认识作用、审美作用和教育作用,这一文化传统和思维模式可以追溯到中国古代先秦诸子百家的艺术观和审美观。中国古代先哲们对审美和艺术的本质特征及其规律、作用、价值等方面的体认,都充分

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