从沉沦在世到自由存在——《大海啊,大海》与海德格尔的真理观

发布时间：2018-05-03 16:17

本文选题：《大海啊 + 大海》　；参考：《外语教学》2017年06期

【摘要】：以海德格尔的真理观来看,《大海啊,大海》中的查尔斯从伦敦剧院到"夏福海角屋"再到伦敦的空间穿梭是其从沉沦在世,历经迷误和死亡,最终领会自我,进入自由存在的寻真历程。查尔斯的寻真之旅并非是一场从遮蔽到解蔽的有限旅程,而是从遮蔽到解蔽的不断运作。对《大海啊,大海》的海德格尔式解读契合了默多克对"善的真实"的思考。可以说,小说《大海啊,大海》构成了艾丽丝·默多克的真理思想与海德格尔的真理观进行对话的场所。
[Abstract]:From Heidegger's point of view of truth, Charles in "the Sea, the Sea" shuttles from the London Theatre to the Cape House of the Chaffany and then to London. The space shuttles between the dead and the dead, and they finally understand themselves. Enter the process of seeking truth in free existence. Charles' journey to truth is not a limited journey from masking to uncovering, but a constant operation from masking to uncovering. The Heidegger interpretation of "the Sea, the Sea" fits Murdoch's thinking of the truth of goodness. It can be said that the novel "the Sea, the Sea" constitutes the place where Alice Murdoch's thought of truth and Heidegger's view of truth are interacted.
【作者单位】：南京大学外国语学院;
【基金】：江苏省社科基金项目“当代英国诗歌的地域特性研究”(项目编号:14WWB007) 国家社科基金重大项目“战后世界进程与外国文学进程研究”(项目编号:11&ZD137)的部分研究成果
【分类号】：B516.54;I561.074

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