《道连·格雷画像》中的尼采式悲剧美学阐释
发布时间：2023-04-27 03:14
本文主要从尼采的悲剧美学角度对英国唯美主义作家奥斯卡·王尔德的代表作《道连·格雷画像》进行分析解读。德国哲学家尼采的《悲剧的诞生》是论文的理论框架，尼采借艺术谈人生，借悲剧艺术谈人生悲剧，酒神和日神作为人生的两位救世主登上尼采的美学舞台。从造型艺术、尺度与节制方面的“阿波罗式”的精神与有关音乐、纵情狂饮、过度、自我丧失以及对阿波罗式的表象掩饰下的根本现实沉湎的“狄奥尼索斯式的”精神之间的辩证联系中深入阐释《道连·格雷画像》中的尼采式悲剧美学。 尼采悲剧美学是非理性的,人的生命本能、原始的冲动才是艺术的动因和艺术的根本。尼采激烈批判的苏格拉底主义,实际就是理性至上的思想,认为现代文明的症结在于生命本能的衰竭。尼采为人类的文化艺术复兴和生命的本源回归找到了出路，这就是希腊文化中的狄奥尼索斯精神。释梦之神日神艺术代表着个体化原理的壮丽神圣形象，日神是一切造形能力的神、预言之神、梦神，德行之神，是所有美好幻想的象征，日神艺术是显象的，日神象征人追求世界和美丽人生外观的精神本能，日神与美的审美必要性平行，酒神艺术与日神艺术是对立而存在的，酒神艺术是情绪的放纵、悲剧的根源、原始自然的非道德的生命力...
【文章页数】：77 页
【学位级别】：硕士
【文章目录】：
摘要
英文摘要
Introduction
Chapter One Aestheticism as a Literary Movement
1.1 The Development of Aestheticism
1.2 Domestic Studies of The Picture of Dorian Gray
Chapter Two Nietzsche's Aesthetics of Tragedy
2.1 Apollonian Worldview
2.1.1 Apollonian Culture
2.1.2 Apollonian Veil of Tragic Essence and Affiliation for Dionysian Culture
2.2 Dionysian Worldview
2.2.1 Dionysian Culture
2.2.2 The Soul Tragedy and Dionysian Superiority
2.3 Nietzsche's Aesthetics Tragedy Theory
2.3.1 Apollonian and Dionysian Duality
2.3.2 Dialectical Logic Relationship of Duality Impulse for Birth of Tragedy
Chapter Three The Picture of Dorian Gray from Nietzsche's Aesthetics of Tragedy
3.1 Analysis of the Plot
3.1.1 Exposition:Painter Basil First Meets Dorian Gray
3.1.2 Complication:Apollonian Paradise Lost
3.1.3 Crisis:Dorian Kills Basil in a Fit of Rage
3.1.4 Falling Action:Abyss of Dionysian Destruction
3.1.5 Resolution:All are Destroyed by Fire
3.2 Analysis of Characters
3.2.1 Dandy Dorian Gray:Duality of Apollonian and Dionysian
3.2.2 Painter Basil Hallward:Apollonian Idyllic Shepherd
3.2.3 Lord Harry Wotton:Apollonian and Dionysian Wisdom
3.2.4 Apollonian Delusion:Sibyl Vane's Mobile Condition of Death
3.3 Analysis of Theme
3.3.1 Homer's Apollonian Elements
3.3.2 Dionysian Gothic Elements
3.3.3 Four Fierce Struggles between Apollonian Art and Dionysian Art
3.3.4 Apollonian Redemption by Sparing Hetty Merton Free
3.3.5 Apollonian Veil and Dionysian True Face
3.3.6 Ironic Change of the Picture
Chapter Four Perfect Victory of Dionysus and Significance of Nietzsche's Aesthetics
4.1 Dionysian Capacity as Eternal and Primordial Artistic Force
4.2 Music Vehicle of Dionysian Wisdom
4.3 Artistic Essence
4.4 Highest Aim of Aesthetics
4.5 Significance of Nietzsche's Aesthetics
Conclusion
Bibliography
攻读硕士学位期间取得的学术成果
致谢
本文编号：3802753
【文章页数】：77 页
【学位级别】：硕士
【文章目录】：
摘要
英文摘要
Introduction
Chapter One Aestheticism as a Literary Movement
1.1 The Development of Aestheticism
1.2 Domestic Studies of The Picture of Dorian Gray
Chapter Two Nietzsche's Aesthetics of Tragedy
2.1 Apollonian Worldview
2.1.1 Apollonian Culture
2.1.2 Apollonian Veil of Tragic Essence and Affiliation for Dionysian Culture
2.2 Dionysian Worldview
2.2.1 Dionysian Culture
2.2.2 The Soul Tragedy and Dionysian Superiority
2.3 Nietzsche's Aesthetics Tragedy Theory
2.3.1 Apollonian and Dionysian Duality
2.3.2 Dialectical Logic Relationship of Duality Impulse for Birth of Tragedy
Chapter Three The Picture of Dorian Gray from Nietzsche's Aesthetics of Tragedy
3.1 Analysis of the Plot
3.1.1 Exposition:Painter Basil First Meets Dorian Gray
3.1.2 Complication:Apollonian Paradise Lost
3.1.3 Crisis:Dorian Kills Basil in a Fit of Rage
3.1.4 Falling Action:Abyss of Dionysian Destruction
3.1.5 Resolution:All are Destroyed by Fire
3.2 Analysis of Characters
3.2.1 Dandy Dorian Gray:Duality of Apollonian and Dionysian
3.2.2 Painter Basil Hallward:Apollonian Idyllic Shepherd
3.2.3 Lord Harry Wotton:Apollonian and Dionysian Wisdom
3.2.4 Apollonian Delusion:Sibyl Vane's Mobile Condition of Death
3.3 Analysis of Theme
3.3.1 Homer's Apollonian Elements
3.3.2 Dionysian Gothic Elements
3.3.3 Four Fierce Struggles between Apollonian Art and Dionysian Art
3.3.4 Apollonian Redemption by Sparing Hetty Merton Free
3.3.5 Apollonian Veil and Dionysian True Face
3.3.6 Ironic Change of the Picture
Chapter Four Perfect Victory of Dionysus and Significance of Nietzsche's Aesthetics
4.1 Dionysian Capacity as Eternal and Primordial Artistic Force
4.2 Music Vehicle of Dionysian Wisdom
4.3 Artistic Essence
4.4 Highest Aim of Aesthetics
4.5 Significance of Nietzsche's Aesthetics
Conclusion
Bibliography
攻读硕士学位期间取得的学术成果
致谢
本文编号：3802753
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