哈琼文的宣传画研究

发布时间：2018-04-04 21:01

本文选题：五六十年代宣传画　切入点：哈琼文　出处：《华东师范大学》2010年硕士论文

【摘要】： 作为在20世纪中国宣传画发展轨迹中具有分水岭标志的时期,本文将从艺术特征、影响因素和地位价值等几方面对这一时期的政治宣传画,特别是其中的代表人物哈琼文的相关作品进行分析和阐述,以哈琼文宣传画所代表的五六十年代宣传画具有自己的独特风貌。宣传画是一个创作和画面表现与政治、经济、文化息息相关的画种,在20世纪中国风起云涌的社会背景下,呈现出了与这段历史相对应而又多姿多彩的面目和风格。艺术特征上,五六十年代的宣传画在题材上由之前如反对八国联军、反对北洋政府、抗日战争、解放战争等主要以反对帝国主义、封建主义的讽刺性的政治宣传画演变为如抗美援朝、三反五反、婚姻法、增产节约等主题以表现新中国生产和建设为主的歌颂性的政治宣传画；在画面形式上,建国前的政治宣传画大多都具有主题突出鲜明、形象粗犷简洁、色彩黑白对比强烈等特点,多是以木刻、漫画和讽刺画等形式出现；建国后的则在风格上呈现出形象塑造结实有力、背景复杂、色彩鲜明热烈等,特征风貌比较多的以国画、水粉、油画、年画等形式表现技法；宣传画的创作队伍也出现了多元化的趋势,首先是专业创作队伍,一批专门的宣传画画家出现,如哈琼文、游龙姑、吴性清、翁逸之、钱大昕、吴敏、杨文秀、张汝济、丁浩等等。以木刻、漫画等替代宣传画的境况也得到了很大的改观。建国初期的宣传画艺术一直就走在造型艺术前列,吸引了众多的油画家、年画家和国画家,他们纷纷以自己擅长的艺术表现形式创作政治宣传画。五六十年代的宣传画的影响因素主要体现在社会政治、苏联、波兰宣传画艺术及中国民族民间艺术等方面。因为社会政治的需要,政治观念和口号成为了宣传画的所要表现的主题和题材,宣传画也成为了很多视觉造型艺术的先导；苏联和波兰的宣传画艺术以及中国民族民间艺术影响了这一时期政治宣传画的画面形式和风格。二十世纪五六十年代的宣传画在平面设计发展史中起到了承上启下的作用,使宣传画的表现题材和风格形式有了新貌。同时也显示出了这个时期的宣传画独有的历史价值、艺术价值和美学价值。
[Abstract]:As a period with watershed mark in the development track of Chinese posters in the 20th century, this paper will discuss the political posters of this period from the aspects of artistic characteristics, influencing factors and status value.In particular, the representative character of Ha Qiongwen's related works are analyzed and expounded, and the 50's and 60's posters represented by Hachongwen's posters have their own unique style and features.Poster is a kind of painting which is closely related to politics, economy and culture. In the social background of the 20th century, it presents a colorful face and style corresponding to this period of history.In terms of artistic characteristics, the themes of posters in the 1950s and 1960s were mainly opposed to imperialism, such as the opposition to the Allied Forces of the eight Powers, the opposition to the Beiyang Government, the War of Resistance against Japan, the War of Liberation, and so on.The satirical political propaganda paintings of feudalism evolved into political posters with themes such as resistance to US aggression and aid to Korea, three opposing and five opposing, marriage laws, production and economy, and so on, which were mainly about the production and construction of new China; in the form of pictures,Before the founding of the people's Republic of China, most of the political posters were characterized by prominent themes, rough images, strong contrast between black and white colors, and so on, mostly in the form of woodcut, caricature and caricature.After the founding of the people's Republic of China, the style showed strong and powerful image, complex background, bright and warm color, and many features of traditional Chinese painting, water powder, oil painting, New year painting and other forms of performance techniques;The creative team of posters has also shown a trend of diversification. First of all, the professional creative team, a group of specialized posters painters have appeared, such as Ha Qiongwen, you Longgu, Wu Xiqing, Weng Yizhi, Qian Daxin, Wu Min, Yang Wenxiu, and Zhang Ruji.Ding Hao, wait.The situation of alternative posters such as wood carvings and comics has also been greatly improved.At the beginning of the founding of the people's Republic of China, the art of propaganda has always been in the forefront of plastic arts, attracting many oil painters, painters and national painters, who created political posters one after another in the form of artistic expression they are good at.The influential factors of posters in 1950s and 1960s are mainly reflected in social politics, Soviet Union, Polish propaganda art and Chinese folk art.Because of the need of social politics, political ideas and slogans have become the theme and theme of posters, and posters have become the forerunner of many visual plastic arts.The art of propaganda in Soviet Union and Poland and Chinese folk art influenced the form and style of political posters in this period.Posters in the 1950s and 1960s played a connecting role in the history of graphic design.At the same time, it also shows the unique historical value, artistic value and aesthetic value of the posters of this period.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J209.2

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