“中国南方油画山水画派”对当前中国油画的影响

发布时间：2018-03-12 14:53

本文选题：中国南方油画山水画派　切入点：油画本土化　出处：《湖南师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：“中国南方油画山水画派”是南方画家代表的一次集大成,它的产生具有深远意义。它既是对中国传统文化的一次梳理和创新,又是一次西洋油画中国化、民族化、地域化的深入体现。它在中国油画发展的历程上有着明显的旗帜作用。将在中国油画史上写下精彩的一笔。中国南方油画山水画派已经成立多个年头了,无论在绘画创作的过程中,还是作品展览的影响力,以及论坛学术的探讨都已经深深的引起社会的广泛关注,尤其是有眼光的批评家和收藏机构开始认真而不遗余力的推广和收藏好作品,这是一个很好的势头。它的影响和发展必然对中国油画有一个巨大的推动作用。“中国南方油画山水画派”对中国油画当前的影响是多方面的,这是一个庞大的课题。因篇幅和专业领域的限制,我将结合我的创作实践集中论述“南派”画家在做底子上的影响。我的创作表现的是湘西的写意山水,我生于斯长于斯,对家乡的山山水水有深刻的情感。在导师陈和西教授的指导下,我花了三年时间去湘西各地写生并广泛收集相关资料。后面又借鉴了南方画派几位代表画家做底子的方法,尤其做完肌理底子再写生创作的技法,从而形成我在画面肌理效果的引导下去完成作品的创作方法。做底子的材料是广泛和多样的,做底子的方式方法也是广泛和多样的,正是这种广泛和多样性,以及随机偶合性构成每个人不同的风格和特点,在艺术广延上正好符合它的创意和本质。我的底子创新就是在借鉴和吸收他人优秀的地方,融合自己的想法和创意,最终形成个人特色的材料底子。
[Abstract]:"South China Oil painting and Landscape painting School" is a representative of southern painters, its emergence has far-reaching significance. It is not only a combing and innovation of Chinese traditional culture, but also a Western oil painting in China, nationalization. The in-depth embodiment of regionalization. It plays an obvious role as a banner in the development of Chinese oil painting. It will write a wonderful stroke in the history of Chinese oil painting. It has been many years since the establishment of the South China Oil painting School of Landscape painting. No matter in the process of painting creation, the influence of the exhibition, and the discussion of the forum academic, it has aroused the widespread concern of the society. In particular, the discerning critics and collectors began to seriously and sparingly promote and collect good works. This is a very good momentum. Its influence and development must have a huge impetus to Chinese oil painting. The influence of "South China Oil painting Landscape painting School" on Chinese oil painting is in many ways. This is a huge subject. Because of the limitations of space and professional field, I will focus on the influence of the "Southern School" painters on the basis of my creative practice. My creative performance is the freehand brushwork of Xiangxi, and I was born and raised here. I have deep feelings for the mountains and rivers of my hometown. Under the guidance of my mentor, Professor Chen Hexi, I spent three years painting in various parts of western Hunan and collecting extensive relevant materials. I also drew lessons from the methods used by several southern painters to do basic work on behalf of painters. In particular, after finishing the texture foundation and then sketching and creating techniques, I formed a creative method to complete the work under the guidance of the screen texture effect. The materials used to do the foundation are extensive and diverse, and the ways and methods of doing the foundation are also extensive and diverse. It is this breadth and diversity, and randomness that makes up each individual's different styles and characteristics that fit in with its originality and nature in its wide range of art. My foundation innovation is learning from and drawing on the excellence of others. Fusion of their own ideas and ideas, and ultimately form a personal characteristics of the material base.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J213

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