二战后北欧玻璃器具造型研究

发布时间：2018-03-13 20:11

本文选题：二战后　切入点：北欧玻璃器具　出处：《湖南师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：玻璃器具设计在北欧设计中占据着相当重要的地位,融合了北欧设计所崇尚的务实态度与人文情怀。另外,玻璃这种特殊的材料在北欧特定的历史与人文环境中散发出独特的审美气息。在北欧设计“使日常生活更美”的设计精神之下,北欧玻璃设计自20世纪初期开始,一直引领北欧设计的潮流。通过国际间交流与展览,北欧的玻璃设计在国际设计界拥有了极高的声誉。本文分析了二次世界大战以北欧玻璃设计造型的发展与风格的演变。通过历史、文化和作品的分析推论出战后北欧玻璃器具造型设计的形成原因并探寻出设计风格的发展状况,进而综合各种因素找寻北欧玻璃器具的设计美学。文章引言对课题的来源、研究的现实意义以及研究动态等相关内容作了简要的论述。论文主体分为四个部分,第一部分系统分析了北欧设计在二战后发展的机遇,现代的北欧设计风格的确立,以及在这种背景之下,北欧玻璃器具设计发展的历程；第二部分围绕设计要素进行分析,以由线到面,再到结构和空间的顺序,深入地探讨了战后北欧玻璃器具造型设计上的特点与变化；第三部分探索了战后北欧玻璃器具造型设计中所体现的设计美学倾向,即审美属性和艺术倾向,并在共性的基础上分析了北欧各国在玻璃器具设计上的个性特点。最后一部分思考总结出战后北欧玻璃器具造型设计对我国现代设计发展的启示。
[Abstract]:Glassware design occupies a very important position in Nordic design. It combines the pragmatic attitude and humanistic feelings advocated by Nordic design. Glass, a special material, has a unique aesthetic flavor in the special historical and cultural environment of northern Europe. In the spirit of "making everyday life more beautiful", Nordic glass design began in the beginning of 20th century. Scandinavian design has been leading the trend of design. Through international exchanges and exhibitions, Nordic glass design has a high reputation in the international design community. This paper analyzes the development of the Nordic glass design and style in World War II. The analysis of culture and works inferred the forming reasons of the design of glass appliances in northern Europe after the war, and explored the development of the design style, and then integrated all kinds of factors to find the design aesthetics of the glass utensils of northern Europe. The thesis is divided into four parts. The first part systematically analyzes the opportunities of the development of Nordic design after World War II, the establishment of modern Nordic design style. And in this context, the development of Nordic glassware design; the second part of the design elements around the analysis, to the line to face, and then to the structure and space order, The third part explores the aesthetic tendency of the design of Nordic glassware after the war, that is, aesthetic attribute and artistic tendency. On the basis of generality, this paper analyzes the individual characteristics of glass appliance design in Nordic countries. Finally, the author summarizes the inspiration of the design of Nordic glass utensils for the development of modern design in China after the war.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J53

【参考文献】