风格判断的依据及方法——关于水彩画作品的形式研究

发布时间：2018-03-17 22:26

  本文选题：水彩画　切入点：风格　出处：《东北师大学报(哲学社会科学版)》2017年04期 　论文类型：期刊论文

【摘要】：当代中国水彩画发展进程中官方展览具有不可替代的重要作用,在与水彩画展相关的诸多因素中,展览的评奖是最重要的方面。艺术的价值在于创造,具有转型风格的作品在水彩画发展进程中更加具有学术价值。不论是展览评奖(美术批评),还是案例分析(美术本体研究)都在风格价值判断这个点上交叉。在众多研究美术作品形式风格的理论中,瑞士美术家海因里希·沃尔夫林的理论更具指导意义。以他的形式风格分析方法为基础,结合中国官方水彩画展览的典型作品案例,从风格特征的判断、民族文化传统的影响、作品时代背景等方面多角度、多维度进行解析,力图使水彩画风格的成因研究具有可依据的方法和理论支撑,从而为水彩画创作和教学提供有效的方法和理论依据。
[Abstract]:The official exhibition plays an irreplaceable role in the development process of contemporary Chinese watercolor painting. Among the many factors related to the watercolor painting exhibition, the award of exhibition is the most important aspect. The value of art lies in creation. Works with transformational style have more academic value in the development of watercolor painting. Both exhibition awards (art criticism) and case study (art ontology study) are intersected in the judgment of style value. Among many theories that study the formal style of art works, The Swiss artist Heinrich Wolflin's theory is more instructive. Based on his formal style analysis method, combined with the typical examples of Chinese official watercolor exhibitions, judging the style characteristics and the influence of national cultural traditions, In order to provide effective methods and theoretical basis for the creation and teaching of watercolor painting, this paper tries to make the research on the origin of watercolor painting style have the method and theoretical support.
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本文编号：1626769