从革命展览馆看西藏艺术环境的演变

发布时间：2018-03-17 22:40

本文选题：西藏革命展览馆　切入点：艺术机构　出处：《中央美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：西藏革命展览馆1965年在特殊的政治背景和社会环境下成立,在初期很长一段时间里具有相对唯一性,是西藏地区存在时间最长的、具有重要影响的大型官方艺术机构。本文将革命展览馆各个时期的历史发展状态作为线索,结合同时期拉萨地区其他主要艺术机构和重要艺术活动的情况,对照、梳理艺术环境的演变,从而将西藏艺术环境的演变过程相应地分为四个阶段:1.一元期——多重职能时期;2.发展期——职能细化时期;3.多元期——艺术机构大发展时期;4.成熟期——市场导向期。进一步分析得出在不同历史时期,不同政治环境、经济环境下,西藏艺术环境的演变趋势是:艺术机构职能划分日趋细致化和专业化;开展艺术实践的机构和个人,主体更加广泛,动机更加复杂多样,实践内容更加丰富多彩。总体而言就是从一元向多元演变,从行政主导向市场主导演变。通过梳理拉萨艺术机构的发展脉络,理顺西藏艺术环境的演变过程和变化规律,有助于我们抓住西藏艺术发展过程中的重要元素和关键环节,正确认识和分析西藏艺术环境的现状和趋势,对于解决当前正在经历市场化冲击的西藏艺术如何保持传统艺术的民族特色、规范艺术市场等问题具有实践意义。
[Abstract]:In 1965, the Tibet Revolutionary Exhibition Hall was established in a special political and social environment. It was relatively unique for a long time in the early period and was the longest one in Tibet. The historical development of the revolutionary exhibition hall in each period as a clue, combined with other major art institutions and important artistic activities in Lhasa during the same period, Combing the evolution of the artistic environment, Accordingly, the evolution process of Tibetan artistic environment can be divided into four stages: 1. One Yuan period-multiple functions period 2. Development period-function refinement period 3. Multiple stage-Art Institution Development period 4. Mature stage-Market oriented period. Further analysis shows that in different historical periods, Under different political and economic circumstances, the evolution trend of Tibet's artistic environment is: the division of the functions of artistic institutions is becoming more and more meticulous and specialized, and the institutions and individuals that carry out art practice have more extensive subjects and more complicated motives. The practical content is more colorful. In general, it is the evolution from unitary to pluralistic, from executive-led to market-oriented. By combing the development of Lhasa art institutions, we can straighten out the evolution process and changing law of Tibet's artistic environment. It is helpful for us to grasp the important elements and key links in the development of Tibetan art, and to correctly understand and analyze the present situation and trend of Tibet's artistic environment. It is of practical significance to solve the problems of how to maintain the national characteristics of traditional art and standardize the art market.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J120.9

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