第一次全国美展与20世纪初中国的艺术批评

发布时间：2018-04-02 05:23

本文选题：第一次全国美展　切入点：艺术批评　出处：《南京艺术学院》2010年硕士论文

【摘要】： 在中国近现代美术史上,第一次全国美展的成功举办,对中国的艺术界产生了极其深远的影响。近代以来,在西方艺术思潮的影响下,中国艺术受众的传统观念开始逐渐改变,以往的以文人交流为主的、小圈子范围的方式,开始逐渐被西方以公众展示为主的方式替代,并推动了中国的艺术批评成功转型,使其走上了现代之路。进入萌芽期的中国现代艺术批评,在这一时期,由于学术环境相对宽松,开始迅速发展。本文通过对第一次全国美展前后的资料的梳理和分析,得出结论:第一次全国美展促成了中国的现代艺术批评发展,使其成功进入现代艺术批评的萌芽期,并对以后的中国艺坛产生了深远的影响。
[Abstract]:In the modern art history of China, the successful holding of the first National Art Exhibition has exerted a profound influence on the Chinese art circle.Since modern times, under the influence of the western art trend, the traditional concept of Chinese art audience has gradually changed. In the past, the way of literati communication and small circle has gradually been replaced by the western way of public display.And promoted the successful transformation of Chinese art criticism, making it on the modern road.In this period, the Chinese modern art criticism began to develop rapidly because of the relatively loose academic environment.By combing and analyzing the materials before and after the first National Art Exhibition, this paper draws a conclusion that the first National Art Exhibition promoted the development of modern art criticism in China and made it successfully enter the budding period of modern art criticism.And later on the Chinese art world had a profound impact.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J209.2

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