“其金孔吉”展出中国国家博物馆藏青铜器札记

发布时间：2018-04-11 04:08

  本文选题：青铜器 + 商代　； 参考：《中国国家博物馆馆刊》2017年11期

【摘要】：2016年9月,中国国家博物馆与清华大学艺术馆联合推出了"其金孔吉—一商周青铜器艺术"展览,共展出62组件中国国家博物馆收藏的商周时期青铜器。本文从这次展览的展品出发,选取两个主题进行讨论。一是商代长江流域青铜器与中原地区的交流;二是春秋中期青铜器风格的变化。第一个主题,本文从这次展出的要和鬲出发,讨论了商代中原及北方地区所见的带有长韵状扉棱的铜器,认为它们与长江流域具有一定联系;第二个主题从展出的春秋中期青铜器出发,讨论了这一阶段青铜器造型及纹饰风格的变化,指出,春秋中期在青铜器风格的转变过程中,具有承前启后的作用,应该将这一阶段的代表性铜器墓独立进行讨论,这样更容易把握和理解春秋时期青铜器风格由西周风格向列国风格的转变。
[Abstract]:In September 2016, the National Museum of China and the Tsinghua University Museum of Art jointly launched an exhibition entitled "its Jin Kong Ji-A Shang Zhou Bronze Art", featuring 62 components of the Chinese National Museum's collection of Shang Zhou bronzes.Starting from the exhibits of this exhibition, this paper selects two themes for discussion.One is the exchange between bronze vessels in the Yangtze River Valley and the Central Plains in Shang Dynasty, and the other is the change of bronze ware style in the middle of Spring and Autumn period.In the first theme, this paper discusses the bronze vessels with long rhyme edge seen in the Central Plains of Shang Dynasty and the northern part of the Shang Dynasty from the point of view of "he Li" on this exhibition, and considers that they have certain connection with the Yangtze River basin.The second theme starts from the bronze ware on display in the middle of the Spring and Autumn period, and discusses the changes of the bronze ware modeling and decoration style at this stage. It is pointed out that the middle spring and autumn period plays a role of connecting the past with the future in the process of changing the bronze ware style.The representative bronze tombs of this stage should be discussed independently so that it is easier to grasp and understand the transformation of bronze ware style from Western Zhou style to foreign style in the Spring and Autumn period.
【作者单位】： 山西大学历史学院;
【分类号】：K876.41
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本文编号：1734350