图与词——马格利特以来:中比合作超现实主义展在京开幕

发布时间：2018-05-04 13:44

  本文选题：马格 + 利特　； 参考：《美术观察》2013年02期

【摘要】：正由中国美术馆、比利时瓦隆-布鲁塞尔国际关系总署共同主办的图与词——马格利特以来:中比合作超现实主义展于2012年12月21日在中国美术馆开幕。此次展览在2012欧盟一中国文化对话年框架下展开,是中国与比利时瓦隆-布鲁塞尔大区联盟文化交流协议的重点艺术项目。此次展览关注的是现当代艺术史上的一个独特命题,即绘面、造型艺术与书写、文学语言之间的关联。在西方现代艺术史上,对"图与词"命题的关注,最早可以追溯到马格利特在1929年12月刊的《超现实主义革命》上发表的《词与图》宣言。其中综合呈现了艺术家在上世纪20年代术超现实主义氛围的欧洲,对词图关系的多种思考。马格利特将语词引入画面,质疑事物的指代与事物本身的关联。其1929年
[Abstract]:The exhibition of Sino-Belgian cooperation surrealism opened on December 21, 2012 at the Museum of Art of China, Belgium's Walloon Brussels General Administration of International Relations. The exhibition, launched within the framework of the 2012 EU-China year of Cultural Dialogue, is the focus of the cultural exchange agreement between China and Belgium's Walloon Brussels Regional Union. The exhibition focuses on a unique proposition in modern and contemporary art history, namely, the relationship between painting, plastic arts and writing, literary language. In the history of western modern art, the attention to the proposition of "picture and ci" can be traced back to the manifesto of "ci and Picture" published by Magritt in the "Surrealism Revolution" published in December 1929. It presents a variety of reflections on the relationship between words and graphs in Europe, where artists in the surrealism atmosphere of the 1920s. Magritte introduces words into the picture, questioning the relation between the reference of the thing and the thing itself. It was in 1929.
【分类号】：J205
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本文编号：1843186