黑龙江漆画二十年

发布时间：2018-05-04 14:47

  本文选题：黑龙江 + 漆画　； 参考：《南京艺术学院学报(美术与设计版)》2013年01期

【摘要】：正中国现代漆画是在瑰丽灿烂的华夏古典艺术土壤中孕育成长起来的,具有鲜明东方文化特征的新型画种。近三十年来,在中西文明间的碰撞、交融的大背景下,中国漆画在不间断的摸索、吸纳、发展、自新中,才有了今日的繁荣。全国性的漆画展览相继举办,漆画以其特有的形式语言及审美意蕴,获得了越来越多的美术专业人士以及社会大众的认可与推崇。随着资讯的发达,国际间、地域间信息交流的频繁,对黑龙江漆画从萌芽到发展起到了推动作用。一、发展背景
[Abstract]:Modern Chinese lacquer painting is a new type of painting with distinctive oriental cultural characteristics, which was conceived and grown in the magnificent Chinese classical art soil. In the past 30 years, under the background of the collision and blending of Chinese and Western civilizations, Chinese lacquer painting is developing, absorbing, developing and developing continuously. The national exhibition of lacquer painting has been held one after another. With its unique formal language and aesthetic implication, lacquer painting has been recognized and respected by more and more art professionals as well as the public. With the development of information and the frequent exchange of information between the international and regional areas, the lacquer painting of Heilongjiang has played a role in promoting the development from the bud to the development. I. Development context
【作者单位】： 哈尔滨师范大学美术学院;
【分类号】：J213.9
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本文编号：1843376