由反叛到回归-1984年至今的中国现代陶艺探析

发布时间：2018-06-08 02:54

本文选题：传统陶瓷艺术 + 现代陶艺　；参考：《山东艺术学院》2014年硕士论文

【摘要】：当今,中国现代陶艺的创作者们在当代艺术的影响下,充分发掘陶瓷材料作为艺术创作的媒介性质,创作出既能够展示陶艺作品独特的艺术魅力,又能够传达艺术家个人情感,反映当下社会现实的艺术作品,以崭新的艺术面貌进入公众的视野。虽然中国的现代陶艺与西方相比起步较晚,但绵延数千年的中国传统陶瓷艺术为中国现代陶艺的发展提供了纯熟的技术支持和深厚的文化支撑。经过陶艺家们的不懈努力,中国的现代陶艺正逐步作为一种主流的艺术形式,获得人们更多的认可与关注,随之在国际舞台上展露锋芒。笔者在写作论文的过程中运用了文献搜集法和调查研究法。首先,搜集了中国现代陶艺相关论文、著作并对其进行梳理与总结。然后,有针对性地对国内现代知名陶艺家进行采访,积极参与现代陶艺的相关的论坛、展览等文化活动。在此基础上,笔者尝试梳理自1984年以来的中国现代陶艺发展的大事年表,并依据在中国现代陶艺的发展过程中起引导作用的展览、会议及事件,将中国的现代陶艺发展划分为三个阶段——转型期、探索期和发展期,以此尝试总结中国现代陶艺在不同时期的典型特征,探析中国现代陶艺在不同时期呈现不同面貌的原因,并对现代陶艺发展过程中遇到的问题进行思考与总结。笔者认为,中国现代陶艺近30年的发展倾向于一段由“反叛”到“回归”的历程。“反叛”在于中国现代陶艺的转型期现代陶艺的创作者对于中国传统陶艺既定的造物观念和审美意识的反叛：主要体现在当时现代陶艺的创作者对传统陶瓷艺术属性的延伸,继而尝试为现代陶艺的发展提供更多的可能。经过陶艺家们在现代陶艺探索期和发展期的不懈努力,中国的现代陶艺呈现出多元化的发展状态,并逐步赢得国内外艺术家们的关注。然而,在国际舞台上中国的现代陶艺尚未表现出自身独特的民族文化特征。因此,一些具有国际化视野的陶艺家们意识到传承中国传统文化精髓的重要意义,倡导对中国传统文化的“回归”,并结合当下的时代语境,重新审视中国传统的优秀文化,将其更好地应用于现代陶艺的艺术创作中,形成自身独特的民族符号。
[Abstract]:At present, under the influence of contemporary art, the creators of modern Chinese ceramic art fully excavate the ceramic material as the medium of the artistic creation, create the artistic charm which can not only show the unique artistic charm of the pottery works, but also convey the artist's personal feelings, reflect the present social reality, and enter the public with a brand new artistic appearance. Although China's modern ceramic art starts relatively late compared with the west, Chinese traditional ceramic art, which stretches for thousands of years, provides sophisticated technical support and profound cultural support for the development of Chinese modern ceramic art. After the unremitting efforts of potters, China's modern ceramic art is gradually becoming a mainstream art form. People more recognition and attention, and then show their edge on the international stage.
In the process of writing, the author uses the method of literature collection and investigation and research. First, it collects and summarizes the related articles and works of modern Chinese pottery, and then makes an interview on the famous modern famous Tao Yijia in China, actively participates in the related forum, exhibition and other cultural activities of modern pottery art. On the basis of this, the author tries to sort out the chronological chronology of the development of modern Chinese ceramic art since 1984, and according to the exhibitions, meetings and events which play a leading role in the development of Chinese modern ceramic art, the development of modern ceramic art in China is divided into three stages: Transition period, exploration period and development period, so as to try to sum up the modern ceramic art in China. In the different periods of the typical features, the reasons for the different features of Chinese modern ceramic art in different periods are analyzed, and the problems encountered in the development of modern ceramic art are thought and summarized.
The author believes that the development of Chinese modern ceramic art in the past 30 years is inclined to a period from "rebellion" to "return". "Rebellion" lies in the rebellion of the creator of modern ceramic art in the transition period of Chinese modern ceramic art, which is mainly reflected in the creation of modern ceramic artists. The extension of the artistic attributes of the pottery and porcelain will provide more possibilities for the development of modern ceramic art. After the unremitting efforts of the potters in the exploration and development period of modern ceramic art, Chinese modern ceramic art presents a pluralistic development state and gradually wins the attention of artists both at home and abroad. However, China is now on the international stage. The pottery has not shown its own unique national cultural characteristics. Therefore, some of the ceramic artists with international vision are aware of the importance of inheriting the essence of Chinese traditional culture, advocating the "return" of Chinese traditional culture, and combining with the present context of the times to re examine the excellent culture of Chinese traditional culture and apply it to better application. In the artistic creation of modern pottery, it forms its own unique national symbol.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527

【参考文献】