中国当代水彩现状分析
发布时间:2018-06-12 02:04
本文选题:当代 + 水彩现状 ; 参考:《东北师范大学》2010年硕士论文
【摘要】: 在当今的多元时代下,中国水彩画的发展日新月异,在突破与创新的历史印记中书写篇章,在作品的高度和内涵上不断地更新与提升,那么每一个水彩人都应该认清楚这个“新时代”、“大背景”的真实面孔,既然现状如此,那么我们就应该从思想上武装自己,深刻的认识到大势所需,增强水彩作品的艺术内涵,创作更美的佳作,把艺术的审美提升到一定的高度,为推动水彩事业的发展做些事情。我们深知,中国水彩艺术已经走过了一个世纪,却还要比西方晚上几个世纪,伴随着“百年中国水彩画展”的落幕,中国水彩艺术翻过了借鉴、消化和融合的建基性的一页,迎来了后百年革新发展的新一页。从大型水彩展览的频频举办可以得示,中国水彩艺术整体地进入当代性转型的时代已经开始了,一方面从水彩历史中总结归纳和借鉴,另一方面求新求变,这俨然已经成为我们的责任。我觉得要立足当代来分析现状,至少要包括质疑与批判,研究水彩画体系的结构与建构,去伪存真,汲取精华。本文立足当代,谈当代语境下的水彩画发展的现状,对现状加以细致的剖析阐述,揭示现状的成因及利弊要素,引出一条合理的水彩发展观,让每个水彩爱好者从中受益。我们所希望看到的中国水彩艺术的当代性是从中国文化的根性上发展出来的,是传统,继承与创新的结合体,而不是桥头芦苇,山间竹笋的反衬体。我们希望从文化的根底处研究中国水彩的当代性问题。概括起来一句话———时代人该做时代事。
[Abstract]:In today's multi-dimensional era, the development of Chinese watercolor painting is changing with each passing day. It writes a chapter in the historical imprint of breakthrough and innovation, and constantly updates and promotes the height and connotation of the works. Well, every watercolor person should clearly recognize the true face of this "new era" and "big background". Since the present situation is like this, then we should arm ourselves ideologically and profoundly realize the needs of the general situation. To strengthen the artistic connotation of watercolor works, to create more beautiful works, to raise the aesthetic of art to a certain height, and to do something to promote the development of watercolor cause. We know very well that Chinese watercolor art has gone through a century, but it is even more than a few centuries in the evening of the West. With the closing curtain of the "Centennial China Watercolor painting Exhibition," the art of Chinese watercolor has turned over a fundamental page of reference, digestion, and integration. Ushered in a new page of innovation and development after a hundred years. From the frequent holding of large-scale watercolor exhibitions, it can be seen that the Chinese watercolor art has entered the era of contemporary transformation as a whole. On the one hand, it summarizes and draws lessons from the watercolor history, on the other hand, it seeks for new and new changes. This has become our responsibility. I think to analyze the current situation based on the contemporary, at least including questioning and criticism, the study of the structure and construction of watercolor painting system, to remove the true, extract the essence. Based on the contemporary situation, this paper discusses the current situation of the development of watercolor painting in the contemporary context, analyzes and expounds the present situation, reveals the causes of the present situation and its advantages and disadvantages, and leads to a reasonable watercolor development concept, which will benefit every watercolor lover. The contemporary nature of Chinese watercolor art that we want to see is developed from the root of Chinese culture. It is a combination of tradition, inheritance and innovation, not the contrast of Qiaotou Reed and bamboo shoots in the mountains. We hope to study the contemporary nature of Chinese watercolor from the root of culture. In a word, people of the times should do the things of the times.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J215
【参考文献】
相关期刊论文 前7条
1 张朝阳;中国艺术家在新世纪的角色与任务[J];美术;2001年10期
2 张瞳;展时代风采 推精品力作——第十届全国美展水彩、粉画展在汕头隆重开幕[J];美术;2004年10期
3 杨斌;有失本色的融合——第十届全国美术作品展览水彩、粉画作品展述评[J];美术观察;2004年10期
4 宋永进;当代绘画色彩语言的物质化和精神缺失[J];美术观察;2005年03期
5 黄增炎;当前水彩画创作的几个问题[J];美术学报;2000年01期
6 谭忠乙 ,吴正斌;中国水彩艺术语言形式发展浅析[J];美术学报;2003年04期
7 朱建民;当代水彩画的精神和语言探索[J];美术研究;2002年01期
,本文编号:2007760
本文链接:https://www.wllwen.com/guanlilunwen/huizhanguanlilunwen/2007760.html