当代中国水彩人物画现状研究

发布时间：2018-06-13 16:53

本文选题：当代 + 水彩人物画　；参考：《广西师范大学》2011年硕士论文

【摘要】：水彩画自西方引入以来至八十年代之前,中国水彩人物画经历了一个较为缓慢地发展历程,究其原因,与水彩人物画自身发展需要一段时间,材料工具的局限,国人的传统观念有关。早期虽有部分水彩画家坚持水彩人物画的研究创作,但大多数水彩画家们都是望而却步,一直都不愿涉足这个领域,使画作的艺术水平、艺术品质都受到很大的影响。随着时代的进步,人们的思想观念、审美意识也在随之变化,加之水彩材料工具的不断更新,技法不断地丰富,伴随着全国性、地方性水彩研究组织的成立,专业人才的培养模式逐步完善,画家队伍不断壮大,以及创作、展览、研讨等活动频繁组织进行,水彩人物画正在悄悄地飞速发展着,水彩人物画作品已经跨越了传统的单一模式,在题材、风格、创作思想、表现手法、画幅尺寸、材料应用等方面都取得长足进步。题材已经不仅仅局限在单范围之中,而是把对社会生活各方面深刻地关注,通过精巧的构思体现在画作之中；写实的表现风格在能满足大众审美意识需求下仍然受到人们的欢迎；各种新式材料、技法的融入使水彩人物画拓展了自身语言,丰富了画面表现形式；各画种的相互渗透,吸纳融合姊妹艺术表现手法,大大的丰富了水彩自身语言。种种的迹象表明,当代中国水彩人物画已经迅速发展并以惊人的速度带动着中国水彩艺术逐步脱离边缘地界。人类社会的快速发展,文化交流日益频繁,全世界各民族各种艺术形式在多元共存中碰撞借鉴,同时我国宽松的政治环境,政府和群众对文化艺术的高度重视和大力支持,为中国水彩人物画的发展提供了良好契机,亦提出了挑战。作为西方舶来画种,在水彩传入我国之后的发展历程中,风景画一直居于主导地位,改革开放后,随着人们对水彩人物画的重视,其发展已经越来越快。中国水彩人物画在经历了缓慢发展后的迅速提升,因缺少相应的积淀必然会出现一些不足与问题,如从事水彩人物画创作的人越来越多,研究水彩技法的多,而缺少专门的水彩人物画的理论研究支持与指导；新材料不断出现,技法不断创新,又受到各种艺术思潮影响,创新过程中有些创作者忽略了保持水彩独有的艺术特质,导致水彩本体语言的缺失；有些创作者忙于创作而忽视自我修养提升,个人艺术修养不够深厚,难以形成独特的个人风格；一些画家淡忘了“生活是艺术的基础”,这一创作原则,不能真正的深入生活,缺少深刻的体验与感悟,创作时过度依赖照片。要正确面对当代中国水彩人物画现状,有针对性地解决出现的问题,促使水彩人物画获得更大发展,应结合中国水彩人物画特性对症下药,从绘画技法上来说要向水彩风景画学习,把握“水”与“彩’两要素,保持并强化水彩画的本体语言；从题材来源、画家素养方面来说要深入生活,感悟生活,将个人主观情感诉诸素材形成创作激情,以深厚的艺术修养与丰富的生活体验提升作品的内在魅力；从创作观念上来说应融合中国传统哲学与美学观念,创造性的继承前人的成就,努力形成个人独特艺术风格。经过不断的探索,在水彩人物画已经取得的成基础上,扬长避短、兼收并蓄,创造属于自己的特色,中国水彩人物画的道路必将越走越见。本文通过水彩人物画的发展回顾,在当代水彩人物画发展历程中,研究其特征表现,并正确认识水彩人物画中存在的问题,找出原因并寻找发展的方向。本文分了三章,第章是对中国水彩人物画的历史发展回顾,第二章是对当代中国水彩人物画现状分析,其中分了三部分,第一部分概述当代水彩人物画的时代背景；第二部分是阐述当代水彩人物画特征表现；第三部分是对当代中国水彩人物画问题分析。第三章是对当代中国水彩人物画创作的思考。
[Abstract]:Since the introduction of watercolor painting from the west to the 80s, the Chinese watercolor figure painting has experienced a relatively slow development course. The reason is a period of time, the limitation of the material tools and the traditional concept of the Chinese people. Most Watercolor Painters are prohibitive and have been reluctant to get involved in this field. The artistic and artistic quality of the paintings have been greatly influenced. With the progress of the times, people's ideas and aesthetic consciousness are also changing, as well as the continuous renewal of watercolor material tools, the continuous enrichment of techniques, and the national nature. The establishment of the research organization of square watercolor, the training mode of professional talents is gradually perfected, the painters continue to grow, and the creation, exhibition, discussion and other activities are frequently organized. The watercolor figure painting is developing quietly. The watercolor figure painting works have crossed the traditional single mode, in the subject, style, creative thought and expression technique. It has made great progress in the dimensions of painting, material application and so on. The subject matter is not only confined in a single range, but is deeply concerned about all aspects of social life, and is embodied in the painting through exquisite conception; the realistic style of expression is still welcomed by the people under the demand of public aesthetic awareness; The integration of materials and techniques makes watercolor figure painting expand its own language, enrich the form of the picture, infiltrate each other, absorb and fuse the artistic expression of sister, and greatly enrich the language of the watercolor. All kinds of signs indicate that the contemporary Chinese watercolor figure painting has developed rapidly and led the Chinese water at an astonishing speed. Color art is gradually out of the border.
With the rapid development of human society and more frequent cultural exchanges, various kinds of art forms in the world have been used for reference in multiple coexistence. At the same time, the loose political environment in China, the government and the masses attach great importance to the culture and art, and provide a good opportunity for the development of Chinese watercolor figure painting as well as a challenge. In the course of the development of watercolor after the introduction of watercolor to China, landscape painting has always been in the leading position. After the reform and opening up, with the attention of people to the watercolor figure painting, its development has become more and more rapid. The problem, such as the more and more people engaged in watercolor figure painting, the study of watercolor techniques, and the lack of special watercolor figure painting theory research support and guidance; new materials continue to appear, technology innovation, and the influence of various art trends, some creators in the process of innovation neglect the unique artistic characteristics of watercolor, guide the unique characteristics of the watercolor, guide The lack of the language of the watercolor; some of the creators are busy with the creation and neglect the self cultivation and promotion, the personal artistic accomplishment is not deep enough to form a unique personal style; some painters have forgotten that "life is the basis of art", this creative principle can not really go deep into life, lack profound experience and feeling, and create time. In order to correctly face the current situation of Chinese watercolor figure painting, to solve the current problems of Chinese watercolor figure painting, and to promote the development of watercolor figure painting, we should combine the characteristics of Chinese watercolor figure painting, learn from the painting techniques, grasp the two elements of "water" and "color", and keep and strengthen the water. The noumenon language of the color painting; from the source of the subject and the accomplishment of the painter, it is necessary to go deep into life, to feel the life, to appeal to the personal emotion to form the passion of creation, to enhance the inner charm of the works with profound artistic accomplishment and rich life experience, and to integrate the traditional Chinese philosophy and aesthetic ideas from the creative ideas and the creativity. To inherit the achievements of the predecessors, and strive to form a unique style of personal art. After continuous exploration, on the basis of the already obtained watercolor figure painting, the road of Chinese watercolor figure painting will be more and more visible.
This paper, through the review of the development of watercolor figure painting, studies its characteristics in the development of contemporary watercolor figure painting, and correctly understands the problems in the watercolor figure painting, finds out the reasons and seeks the direction of development. This article is divided into three chapters, the chapter is the historical development of Chinese watercolor figure painting, and the second chapter is the contemporary Chinese watercolor The analysis of the present situation of the figure painting is divided into three parts. The first part outlines the background of the contemporary watercolor figure painting; the second part is the description of the characteristics of the contemporary watercolor figure painting; the third part is the analysis of the contemporary Chinese watercolor figure painting. The third chapter is the thinking of the contemporary Chinese watercolor figure painting.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J215

【参考文献】