论星星美展的在场状态

发布时间：2018-06-22 13:32

本文选题：星星美展 + 在场　；参考：《中国艺术研究院》2013年硕士论文

【摘要】：本论文研究对象以中国现代艺术发展历程中不可忽视的“星星美展”为主体,全文研究写作围绕“星星美展”两种在场状态及其民间身份的边缘性历史宿命展开层层深入论证。文章将“星星美展”的在场状态研究分为作为历史发生中的“星星美展”,以及作为话语流变中的“星星美展”。前者作为现场性的“星星美展”据种种历史情境所困难以以团体名义继续办展,因此未能实现以实有形式持续存在于此后的中国现代艺术发展现场当中。而团体成员的群体性离散和流失,同样昭示作为现场性的“星星美展”未能“持续在场”。此后,“星星美展”大多以话语方式存在于中国现代美术的发展现场,话语流变中的“星星”依然持续存在。展览在此后不断被提及的同时,也由于实体性的未“持续在场”,对其话语地位以及历史解读又产生影响。因此,作为实有形式的未持续存在对其话语形式的在场又构成影响,话语在场的状态与地位亦随情境变化产生差异。而“星星美展”对身份的诉求亦决定了这一在场状态的发生,反之这一在场状态又表明“星星”注定存在着无法躲避的边缘性历史宿命。作为民间文化身份的“星星美展”及其画会群体,虽努力试图打破以主流艺术为主导的现场困境,但自始至终也未能冲破主体力量,其在艺术现场的边缘性贯穿始终并最终成为不可躲避的历史宿命。本文以此脉络为研究基础,尽力回归历史情境,进行深入论证写作。
[Abstract]:The main body of this thesis is "Star Art Exhibition", which can not be ignored in the course of the development of modern Chinese art. In this paper, the present state of Star Art Exhibition is divided into "Star Art Exhibition" as a historical event, and "Star Art Exhibition" as "Star Art Exhibition" in the evolution of discourse. The former, as a scene "Star Art Exhibition", is difficult to continue to run in the name of a group because of all kinds of historical situations, so it can not be realized to exist continuously in the later stage of the development of Chinese modern art. The mass dispersion and loss of group members also indicate that the Star Art Exhibition, as a scene, is not always present. Since then, most of "Star Art" exists in the development scene of modern Chinese art in the way of discourse, and the "Star" in the evolution of discourse still exists. Since then, the exhibition has been constantly mentioned, but also because of the substantial non-" continuous presence ", its discourse status and historical interpretation have also been affected. Therefore, the non-persistent existence, as a real form, affects the presence of the discourse form, and the state and status of the discourse presence vary with the change of the situation. The pursuit of identity in Star Art also determines the occurrence of the presence state, which in turn indicates that the Star is doomed to a marginal historical fate that cannot be avoided. As a folk cultural identity of "Star Art Exhibition" and its group of paintings, although trying to break through the mainstream art as the dominant situation of the scene, but from the beginning to the end has failed to break through the force of the main body. Its edge in the art scene throughout and eventually become an inevitable historical fate. On the basis of this research, this paper tries to return to historical situation and conduct in-depth argumentation and writing.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J124

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