水墨都市绘画在当代的创新与实践

发布时间：2018-06-23 01:34

本文选题：水墨 + 水墨都市绘画　；参考：《重庆大学》2010年硕士论文

【摘要】：水墨都市绘画是对中国传统山水画的继承和创新,是当代都市人文环境发展的精神产物,水墨都市绘画的发展具有必然性,因此,对水墨都市绘画在当代的创新与实践进行研究分析,对中国画的发展具有非常重要的意义。本文在水墨都市绘画进行实践与研究分析的基础上,把水墨都市绘画的定义为以水墨绘画形式来表达都市中的自然景观和人与都市相互关系的新山水画。详细阐述了水墨都市绘画的表现形式、表达内容和特征,以及与西方城市风景画的联系与区别,并结合国内重要美术展览作品进行水墨都市绘画的实例分析。在水墨都市绘画理论研究的基础上,本文结合笔者近几年的水墨都市绘画作品,在内容上,对水墨都市绘画中所包含的物象如建筑、道路、灯饰、广告设施、交通工具、环境绿化、以及围绕都市环境的自然景象(雨雾、风云、阳光)等的具体形态进行了研究,还对水墨都市绘画在装饰语言、符号语言和构图法则方面的创新与实践进行了一定程度的分析;在表现形式上,对水墨都市绘画在笔法和墨法、色彩关系、材料运用、当代设计、工艺技法的综合应用五个方面的创新与实践进行了分析。笔者在水墨都市绘画的创新与实践进一步证实了当代水墨都市绘画不仅要继承中国传统山水画的精神内涵,还要有效地借用其他绘画学科的新思维、新技法以及新材料等作为新内容和新形式的支撑。虽然当代水墨都市绘画正逐渐走向成熟,但在表达内容和表现形式上都还有很大的发展空间,还有待我们在探索与创新的道路上努力再努力。
[Abstract]:The ink city painting is the inheritance and innovation of Chinese traditional landscape painting. It is the spiritual product of the development of contemporary urban humanistic environment. The development of the ink city painting is inevitable. Therefore, it is very important for the development of Chinese painting to study and analyze the contemporary innovation and practice of ink and wash City painting.
On the basis of the practice and analysis of the painting of water and ink city, this paper defines the city painting as a new landscape painting in the form of water and ink painting to express the natural landscape in the city and the relationship between people and the city. This paper expounds the expression forms, contents and features of the urban painting of water and ink, as well as the landscape painting with the western cities. The article analyzes the connection and difference between ink painting and urban painting.
On the basis of the study of the theory of ink and ink urban painting, this paper combines the author's painting works of ink and ink in recent years, and on the content, the concrete form of the paintings of the city, such as architecture, road, lighting, advertising facilities, transportation, environment greening, and the natural scene around the urban environment (rain, fog, sunshine), etc. The research is carried out, and the innovation and practice of the ink city painting in decorative language, symbolic language and composition rule are analyzed to a certain extent. In the form of expression, five aspects of the innovation and practice of the ink and ink city painting in the pen and ink method, the color relation, the material use, the contemporary design and the comprehensive application of the technical technique are carried out. The innovation and practice of the ink city painting further confirms that the contemporary ink city painting not only inherits the spiritual connotation of Chinese traditional landscape painting, but also effectively borrows the new thinking of other painting disciplines, new techniques and new materials as the support of new content and new form. Gradually mature, but there is still much room for development in terms of content and form of expression. We still have to work hard on the road of exploration and innovation.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J205

【参考文献】