传统审美语言在当代建筑设计中的借鉴与转化

发布时间：2018-06-30 05:59

本文选题：当代建筑设计 + 秋野　；参考：《建筑学报》2014年06期

【摘要】：正编者按2013年11月17日,"如画观法——传统中国山水画视野构造之于建筑设计"的设计研究展暨学术研讨会在北京大学建筑学研究中心禄岛四合院举办。此次活动是"故园三望"系列活动的开场。活动发起人希望能够以这一系列活动为契机,拓宽建筑领域本土问题研究的视野,推动真诚面对传统的学术风气。基于对这一理念的共识,本刊作为唯一的特邀合作媒体,对此次活动予以特别关注:邀请此次活动的策划及主持人,北京建筑大学副教授金秋野作为本栏目的学术组稿人,收录了集纳研讨会嘉宾之精彩观点而成的《可变之"观"与可授之"法"》;金秋野撰写的,讨论了参展人王欣的设计和教学作品与中国传统造型美学关系的文章《闭门即是深山》;王欣的文章《破境·密林茶会》,以及从当天展览中选取的7组"从传统山水画空间构造中推演出设计语言"的教学作品。
[Abstract]:On November 17, 2013, the exhibition and symposium on design and research of "such as painting method-traditional Chinese landscape painting visual field in architectural design" was held at Ludao Siheyuan, Center for Architectural Research of Peking University. This activity is the opening stage of the series of activities of the "old garden, three lookouts". The sponsors hope to take this series of activities as an opportunity to broaden the field of vision of the study of local issues in the field of architecture and to promote the sincere face of the traditional academic atmosphere. Based on the consensus on this concept, our magazine, as the only specially invited cooperative media, pays special attention to the event: invite the planning and moderator of the event, Jin Qiuye, associate professor of Beijing Construction University, as the academic organizer of this column. "View of change" and "Dharma", composed by Jin Qiuye, This paper discusses the relationship between the design and teaching works of exhibitor Wang Xin and the aesthetics of traditional Chinese modeling, the article "the Deep Mountain is behind closed doors", the article "Tea Party of broken Land and dense Forest" by Wang Xin, and the 7 groups "from the traditional Mountain" selected from the exhibition on that day. The teaching works of "Design language" are deduced from the construction of water painting space.
【分类号】：TU201;TU-80

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