从上海世博会谈展示设计的几点启示及思考
发布时间：2018-07-17 15:26
【摘要】：设计作为一种创新艺术,不论是建筑规划,还是展示设计,都应该立足于本民族的文化文明积淀之中,以民族理念、世界视野关注世博展示设计,将这一世界性的展览盛会,烙印明晰的民族、时代印记,正是衡量一届世博成功与否的重要标志之一。 世博会长久以来,一直是建筑和城市个性的试验台,是展示设计的试验场和建筑思潮的指北针。展示设计特别需要独特的创造性思维,将民族文化的象征性形象和特定文化内涵相结合,以强化设计语言的张力,赋予其鲜明的民族个性。使得传统文化在展示设计中不断的被重新诠释和定位。 本论文从历届世博会展示设计的关键设计理念入手,着力分析、阐释现代展示设计的民族性与现代科技的表现关系,通过梳理上海世博会具体展示设计案例,探讨本届世博会的新理念、新表现,新创意,分析在直观与虚拟,关联与独立中实现的设计思想符号化提炼特点,解剖展示设计中整体与局部、定性与变量等理念的创意实践。力求实现通过案例对展示设计艺术的深度探讨,描述具有历史纵深的现代展示设计观。同时,针对上海世博会展示的具体时代语境,对“后世博”进行发展式的评析。 上海世博会对自我身份的定位以及视觉表达努力,使本次设计盛会在中国设计史上具有里程碑的意义。上海世博会落幕之后,中国将迎来“后世博”时代,世博会展示成果的有效转化备受各界关注。
[Abstract]:Design, as an innovative art, should be based on the cultural and civilization accumulation of the nation, pay close attention to the exhibition design of the world expo with the national idea and the world view, whether it is architectural planning or exhibition design. The imprint of the nation and the mark of the times is one of the important marks to measure the success of the Expo. The Expo has long been a test bed for architecture and urban identity, a testing ground for design and a North Needle for architectural trends. In order to strengthen the tension of the design language and endow it with the distinct national individuality, the display design needs special creative thinking, which combines the symbolic image of national culture with the specific cultural connotation. So that the traditional culture in the display design is constantly re-interpretation and positioning. This paper begins with the key design concepts of the exposition design of the previous expositions, analyzes and explains the relationship between the national character of the modern exhibition design and the performance of modern science and technology, and combs the specific design cases of the Shanghai Expo. This paper discusses the new idea, new expression and new creativity of the Expo, analyzes the characteristics of symbolization of design ideas realized in intuitionistic and virtual, relevance and independence, dissects and displays the creative practice of the whole and local, qualitative and variable ideas in the design. This paper tries to realize the deep discussion of the display design art through the case, and describes the modern display design view with historical depth. At the same time, according to the specific time context of Shanghai World Expo, the development of post-Expo is evaluated. Shanghai World Expo's self-identity positioning and visual expression efforts make this event a milestone in the history of Chinese design. After the end of the Shanghai Expo, China will usher in a "post-Expo" era, the effective transformation of the World Expo display has attracted attention from all walks of life.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525.2
本文编号：2130094
[Abstract]:Design, as an innovative art, should be based on the cultural and civilization accumulation of the nation, pay close attention to the exhibition design of the world expo with the national idea and the world view, whether it is architectural planning or exhibition design. The imprint of the nation and the mark of the times is one of the important marks to measure the success of the Expo. The Expo has long been a test bed for architecture and urban identity, a testing ground for design and a North Needle for architectural trends. In order to strengthen the tension of the design language and endow it with the distinct national individuality, the display design needs special creative thinking, which combines the symbolic image of national culture with the specific cultural connotation. So that the traditional culture in the display design is constantly re-interpretation and positioning. This paper begins with the key design concepts of the exposition design of the previous expositions, analyzes and explains the relationship between the national character of the modern exhibition design and the performance of modern science and technology, and combs the specific design cases of the Shanghai Expo. This paper discusses the new idea, new expression and new creativity of the Expo, analyzes the characteristics of symbolization of design ideas realized in intuitionistic and virtual, relevance and independence, dissects and displays the creative practice of the whole and local, qualitative and variable ideas in the design. This paper tries to realize the deep discussion of the display design art through the case, and describes the modern display design view with historical depth. At the same time, according to the specific time context of Shanghai World Expo, the development of post-Expo is evaluated. Shanghai World Expo's self-identity positioning and visual expression efforts make this event a milestone in the history of Chinese design. After the end of the Shanghai Expo, China will usher in a "post-Expo" era, the effective transformation of the World Expo display has attracted attention from all walks of life.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525.2
【参考文献】
相关期刊论文 前4条
1 伍江;;后世博建筑思考[J];时代建筑;2011年01期
2 傅朝卿;;回到过去与迈向未来 2010年上海世博会的观察与省思[J];时代建筑;2011年01期
3 林中杰;;从大阪到上海 40年变迁看世博[J];时代建筑;2011年01期
4 范文兵;;第三条路 2010年上海世博会建筑中隐喻的运用带来的思考[J];时代建筑;2011年01期
，本文编号：2130094
本文链接：https://www.wllwen.com/guanlilunwen/huizhanguanlilunwen/2130094.html
教材专著
