从历届全国美展漆画获奖作品看福建漆画艺术的传承与创新

发布时间：2018-08-10 21:05

【摘要】：正五年一届的全国美展,是我国影响最广、规模最大、最具权威的综合性美术展览,代表着我国美术作品的最高水平。1964年,漆画作品以"其他"类别首次参加全国美展,到1984年,漆画才以独立画种身份正式登上全国美展的舞台。福建省作为中国现代漆画的主要发祥地之一,福建漆画以大漆研磨为语言特色,传承漆艺之精华,是中国漆画的典型代表,亦是最独具审美情致的漆画地方画派~([1])。在全国美展漆画获奖作品方面,福建漆画一直走在全国漆画前列,是获奖总数最多,级别最高的省份,特别是在第七、第九、第十届全国美展上,陈立德、苏国伟、汤志义等3人各获金奖,充分展现了福建漆画的独特魅力。半个世纪以来,我国现代漆画艺术经历着怎样的发展变化,福建漆画家为漆画的创新与转型进行了哪些探索,漆画艺术又如何在新时期取得新突破、实现新发展,传统媒介又该如何进行当代性转换等,都是我们必须认真思考的重要课题。笔者基于福建漆画家的创作实践,通过梳理分析历届全国美展漆画获奖作品,从创作理念、创作题材、创作风格、创作媒材、创作技艺及创作群体等方面来审视漆画艺术的传承与创新。
[Abstract]:The National Art Exhibition, which is held every five years, is the most influential, largest and most authoritative comprehensive art exhibition in China, representing the highest level of Chinese art works. In 1964, lacquer painting works participated in the national art exhibition for the first time in the category of "other". By 1984, lacquer painting as an independent painting on the stage of the National Art Exhibition. Fujian Province is one of the main birthplaces of Chinese modern lacquer painting. Fujian lacquer painting is characterized by large lacquer grinding, inherits the essence of lacquer art, is a typical representative of Chinese lacquer painting, and is also the most unique local painting school of lacquer painting. With regard to the winning works of lacquer painting in the National Art Exhibition, Fujian lacquer painting has always been in the forefront of the national lacquer painting industry, and is the province with the highest number of awards and the highest grades, especially in the seventh, ninth and tenth national art exhibitions, Chen Lide, Su Guowei. Tang Zhiyi and other 3 people each won the gold medal, fully demonstrated the unique charm of Fujian lacquer painting. In the past half century, the modern lacquer painting art in our country has experienced how to develop and change, what exploration has been made by Fujian lacquer painters for the innovation and transformation of lacquer painting, and how the lacquer painting art has made new breakthroughs and realized new development in the new period. How to transform the traditional media is an important subject that we must seriously consider. Based on the creative practice of Fujian lacquer painters, through combing and analyzing the winning works of lacquer painting at all previous national art exhibitions, the author starts with creative ideas, themes, styles and media. To examine the inheritance and innovation of lacquer painting art.
【作者单位】：福建师范大学美术学院;
【基金】：福建省教育厅A类项目,项目编号:JA08085S
【分类号】：J213.9

【相似文献】