陕西油画艺术发展考察及其现代性研究

发布时间：2018-08-22 07:47

【摘要】：本文主要针对新中国陕西油画的发展历程做了一次初步的考察与研究,简要介绍了陕西油画的产生、形成与发展。并且也对陕西油画发展的现代性变革进行了一些思考。文章主要从六个方面进行论述:第一部分,早期的陕西油画概况,1949年以前早期的陕西油画以延安时代为代表,它是陕西油画形成的准备时期。第二部分,新中国初期的陕西油画,各种外来因素促成了陕西油画的产生,苏联油画对全国乃至陕西的油画都产生了巨大的影响。建国初期的陕西油画主要是从内地分配来陕西的一批美术院校毕业生和本土培养出来的新生油画家的成长对陕西油画的发展起到了积极的推动作用,使陕西油画发展的步伐加快。第三部分,“文化大革命”时期的陕西油画,与全国的油画一样,陕西油画在“文革”时个人自由形式的油画创作受到限制,政治题材广为普遍。第四部分,“后文革”时期的美术,陕西“后文革”时期美术其实是对“文革”时期美术的延续和反叛中颠覆。第五部分,改革开放以来的陕西油画。20世纪80年代,在改革开放浪潮的推动下,艺术的发展也迎来了一个新的发展时机,在自由、宽松的文化氛围下,陕西也先后自发组织了一些油画专业团体、艺术展览,学术活动也日益活跃起来,展现出一片蓬勃兴旺的景象。此时,中国油画界展示出了从未有过的探索勇气和创新活力。但这个时期的陕西油画发展却相对缓慢。历史进入90年代,在经历了对新潮美术的追逐与探索后,艺术家们陷入徘徊状态。开始真正反思油画的本体语言和关注现实生活与当下感受。陕西艺术家以不同于80年代的视觉和语言方式,用自己的话语构成了新的表达方式。陕西油画家们在这一特殊历史时期尝试走出封闭的一步,并逐步取得了成果。第六部分,对陕西油画发展的反思。探讨了陕西油画的地域特征,主要表现在自然地理、历史人文、民俗风情等方面;其次是对在现代性语境下的陕西油画变革的分析,现代性问题,是中国当代美术面临的一个基本问题。在进入21世纪,“现代性”仍是我们无法回避的。陕西油画在“现代性”背景下的表现及其发展说明了当代社会变革对艺术的促动。本论文对陕西油画的回顾与反思是为了更好地总结分析陕西油画的发展特征,并试图提示出地域油画与社会变革之间的互动关系。
[Abstract]:This paper mainly focuses on the development of Shaanxi oil painting in New China and makes a preliminary investigation and research, and briefly introduces the production, formation and development of Shaanxi oil painting. And also to Shaanxi oil painting development of the modern reform of some thinking. The article mainly discusses from six aspects: the first part, the early Shaanxi oil painting survey, before 1949 Shaanxi oil painting is represented by Yan'an era, it is the preparation period of Shaanxi oil painting formation. The second part, Shaanxi oil painting in the early period of new China, a variety of external factors contributed to the production of Shaanxi oil painting, the Soviet oil painting to the whole country and even Shaanxi oil painting has a huge impact. In the early days of the founding of the people's Republic of China, Shaanxi oil paintings were mainly distributed from the interior to Shaanxi as a group of graduates of art colleges and new oil painters trained locally. The growth of Shaanxi oil paintings played a positive role in promoting the development of Shaanxi oil paintings. Shaanxi oil painting to accelerate the pace of development. The third part, Shaanxi oil painting during the "Cultural Revolution" period, like the oil painting of the whole country, Shaanxi oil painting in the "Cultural Revolution" during the individual freedom form oil painting creation was restricted, the political subject matter is widespread. The fourth part, the art of the post-Cultural Revolution period, Shaanxi "Post-Cultural Revolution" period art is the continuation of the "Cultural Revolution" period of fine arts and rebel subversion. The fifth part, since the reform and opening up, Shaanxi oil painting in the 1980s, under the impetus of the reform and opening up wave, the development of art also ushered in a new development opportunity, in the free, relaxed cultural atmosphere, Shaanxi also spontaneously organized some oil painting professional groups, art exhibitions, academic activities are also increasingly active, showing a thriving scene. At this time, the Chinese oil painting industry has shown unprecedented exploration courage and innovative vitality. However, the development of Shaanxi oil painting in this period is relatively slow. In the 90's, after the pursuit and exploration of the trendy art, the artists fell into a state of wandering. Start to reflect on the real language of oil painting and pay attention to real life and current feelings. Shaanxi artists form a new way of expression with their own utterances in visual and linguistic ways different from those in the 1980's. Shaanxi oil painters tried to take a closed step in this special historical period, and gradually achieved results. The sixth part, reflect on the development of Shaanxi oil painting. This paper discusses the regional characteristics of Shaanxi oil painting, mainly in the aspects of natural geography, historical humanities, folk customs and so on, followed by the analysis of the transformation of Shaanxi oil painting in the context of modernity, the modernity problem, and so on. It is a basic problem that Chinese contemporary art faces. In the 21st century, "modernity" is still unavoidable. The expression and development of Shaanxi oil painting under the background of modernity shows that the contemporary social change promotes art. This paper reviews and reflects on Shaanxi oil painting in order to better summarize and analyze the characteristics of Shaanxi oil painting development and try to reveal the interactive relationship between regional oil painting and social change.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J213

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