艺术的有效性问题研究

发布时间：2018-10-12 18:14

【摘要】：艺术的有效性总是和艺术作品本身以及其背后的观念形成一种互文的关系,无论是在前现代时期还是现代主义再到后现代,虽然其内容在变化,但是这种关系没有发生任何改变。在经历了 20世纪50-70年代的艺术爆炸后,艺术在当今世界已经形成了一种空前的规模,这种规模并不只是简单的数量上的变化,而是人们思维的方式和纬度无限的延展。这种可能性的扩大无疑打开了艺术的表达的范围,完成了艺术从对形式的不断探索到以强调观念性的当代艺术的转变。然而50-70年代的蓬勃发展之后,艺术其本身在大发展的同时也出现一些问题,而艺术的问题从好与坏转变成是与非的问题。这种艺术家创作素材的无限的使用,第一给艺术欣赏带来理解的困难,第二由于艺术家观念和最后作品呈现方式的脱节,导致大量展览的展览前言语意晦涩,很多艺术家的作品似乎不通过诠释便无法成立,脱离策展人的文字书写以及展厅便丧失了解读的可能性。本论文通过对这些问题的思考,并对50-70年代的西方艺术进行梳理,论述艺术的语法因无限的拓宽导致日益模式化的困境,以及西方资本社会背景下,越来越成熟的艺术市场的保守化导致当代的艺术"在当代"的失效。同时,追溯艺术失效的本质原因一西方艺术的再现逻辑,并试图对其进行反思。
[Abstract]:The validity of art always forms an intertextuality with the work of art itself and the ideas behind it, whether in the pre-modern period or in modernism to post-modernism, although its content is changing. But the relationship has not changed. After the explosion of art in the 50-70 's of the 20th century, art has formed an unprecedented scale in the world today. This scale is not only a simple change in quantity, but also an infinite extension of the way and latitude of people's thinking. The expansion of this possibility undoubtedly opens the scope of artistic expression and completes the transformation of art from continuous exploration of form to contemporary art with emphasis on conception. However, after the vigorous development of the 50-70 's, the art itself has some problems at the same time, and the problem of art has changed from good and bad to not. The infinite use of the artist's creative materials, first, makes it difficult to understand the art appreciation. Secondly, due to the disconnection between the artist's concept and the way the final work is presented, the foreword of a large number of exhibitions is obscure. Many artists' works seem to fail without interpretation, leaving the curator's writing and showroom without the possibility of interpretation. By thinking about these problems and combing the western art in the 50-70 's, this paper discusses the dilemma that the grammar of art is becoming more and more stylized because of the infinite broadening, and the background of the western capital society. The conservatism of more and more mature art market leads to the invalidation of contemporary art. At the same time, it traces the essential reason of artistic failure-the reappearance logic of western art, and attempts to reflect on it.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J110.9

【相似文献】